Publications by Roger Dannenberg

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Books:

Blattner and Dannenberg, eds., Multimedia Interface Design, ACM Press, 1992. (Also published in Chinese, 1994.)

Simoni and Dannenberg, Algorithmic Composition: A Guide to Composing Music with Nyquist, The University of Michigan Press, 2013.

Dannenberg, Introduction to Computer Music, distributed by Lulu.com, 2021.

Bonnici, Dannenberg, Kemper and Camilleri, eds., Research Topic: Music and AI, Frontiers Research Topics (e-book), 2021.

Patents

Dannenberg, Method and apparatus for providing coordinated accompaniment for a performance. US Patent #4745836, 1988.

Dannenberg, Automated musical accompaniment with multiple input sensors. US Patent #5521324, 1994.

Grubb and Dannenberg, System and method for stochastic score following. US Patent #5913259, 1997.

Dannenberg, Witkin, and Fisher, Method and apparatus for interactive audience participation by audio command. US Patent #798382, 1997.

Lee and Dannenberg, Music instruction system. US Patent #9333418, 2013.

Book Chapters:

Dannenberg, “Real-Time Scheduling and Computer Accompaniment,” in Current Research in Computer Music, edited by Max Mathews and John Pierce, MIT Press, 1989.

Dannenberg, McAvinney, Thomas, Bloch, Rubine, and Serra, “A Project in Computer Music: The Musician's Workbench,” in Advances in Computing and the Humanities, edited by Ephraim Nissan, (to appear).

Dannenberg, “Expressing Temporal Behavior Declaratively,” CMU Computer Science, A 25th Anniversary Commemorative, Richard F. Rashid, ed., ACM Press, 1991, pp. 47-68.

Dannenberg, “Recent Work In Real-Time Music Understanding By Computer,” Music, Language, Speech, and Brain, Wenner-Gren International Symposium Series, Sundberg, Nord, and Carlson, ed., Macmillan, 1991, pp. 194-202.

Dannenberg, Fraley, and Velikonja, “Fugue: A Functional Language for Sound Synthesis,” in Readings in Computer-Generated Music, Dennis Baggi, ed., IEEE Press, 1992, pp. 25-40.

Dannenberg. “Computerbegleitung und Musicverstehen,” in Neue Musiktechnologie, Bernd Enders, ed., Schott, 1993, Mainz, pp. 241-252.

Dannenberg, “Computer Music at Carnegie Mellon University,” in Music Processing, Goffredo Haus, ed., A-R Editions, 1993, pp. 303-333.

Dannenberg, “Extending Music Notation Through Programming,” in Computer Music in Context, Craig Harris, ed., Contemporary Music Review series, Vol. 13, Part 2, Harwood Academic Publishers, 1996, pp. 63-76.

Dannenberg, Desain, and Honing, “Programming Language Design for Music,” in Musical Signal Processing, Roads, Pope, Piccialli, and De Poli, eds., Swets and Zeitlinger, 1997, pp. 271-316.

Dannenberg, “Dynamic Programming for Interactive Music Systems,” in Readings in Music and Artificial Intelligence, Eduardo Reck Miranda, ed., Contemporary Music Studies series, Vol. 20, Harwood Academic Publishers, 2000.

Dannenberg, “Music Understanding and Expressive Performance,” in Kansei (to appear in Japanese, 2003).

Haines, Vernon, Dannenberg, and Driessen, “Placement of Sound Sources in the Stereo Field Using Measured Room Impulse Responses.” in Computer Music Modeling and Retrieval. Sense of Sounds, R. Kronland-Martinet, S. Ystad, and K. Jensen, eds., Lecture Notes in Computer Science, Vol. 4969, Springer, 2008, pp. 276-287.

Dannenberg and Goto, “Music Structure Analysis from Acoustic Signals,” in Handbook of Signal Processing in Acoustics, Vol 1, Springer Verlag. 2009, pp. 305-331.

Dannenberg, “Style in Music,” in The Structure of Style: Algorithmic Approaches to Understanding Manner and Meaning, Shlomo Argamon, Kevin Burns, and Shlomo Dubnov, eds., Berlin: Springer-Verlag. 2010, pp. 45-58.

Dannenberg, Brown and Lupish, “McBlare: A Robotic Bagpipe Player,” in Musical Robots and Multimodal Interactive Multimodal Systems, Jorge Solis and Kig Ng, eds., Berlin: Springer-Verlag. 2011, pp. 165-178.

Dannenberg, “Preface,” in The OM Composer’s Book, Vol. 3, J. Bresson, C. Agon, G. Assayag (Eds.), Collection Musique/Sciences, Editions Delatour France, 2016.

Journal Articles:

Dannenberg and Ernst, “Formal Program Verification Using Symbolic Execution,” IEEE Transactions on Software Engineering, SE-8, (Jan 1982), pp. 43-52.

Dannenberg and P. Hibbard, “A Butler Process for Resource Sharing on Spice Machines,” Transactions on Office Information Systems, Vol. 3, No. 3 (July 1985), pp. 234-252.

Dannenberg and Rubine, “Arctic: A Functional Language for Real-Time Control,” IEEE Software, (January 1986), pp. 70-71.

Dannenberg, McAvinney, and Rubine, “Arctic: A Functional Approach to Real-Time Systems,” Computer Music Journal, 10(4) (Winter 1986), pp. 67-78.

Dannenberg, Serra, and Rubine, “Comprehensive Study of Analysis and Synthesis of Tones by Spectral Interpolation,” Journal of the Acoustical Society of America, Supplement 1, Vol 82 (Fall 1987).

Dannenberg, “A Structure for Efficient Update, Incremental Redisplay and Undo in Display-Oriented Editors,” Software: Practice and Experience, 20(2) (February 1990), pp. 109-132.

Dannenberg, “The Canon Score Language,” Computer Music Journal, 13(1) (Spring 1989), pp. 47-56.

Serra, Rubine, and Dannenberg, “Analysis and Synthesis of Tones by Spectral Interpolation,” Journal of the Audio Engineering Society, 38(3) (March 1990), pp. 111-128.

Dannenberg, Sanchez, Joseph, Capell, Joseph, Saul, “A Computer-Based Multi-Media Tutor for Beginning Piano Students,” Interface - Journal of New Music Research, 19(2-3), 1990, pp. 155-173.

Myers, Giuse, Dannenberg, Vander Zanden, Kosbie, Pervin, Mickish, and Marchal, “Garnet: Comprehensive Support for Graphical, Highly Interactive User Interfaces,” Computer 23(11), 1990, pp. 71-85.

Dannenberg, Fraley, and Velikonja, “Fugue: A Functional Language for Sound Synthesis,” Computer, 24(7) 1991, pp. 36-41.

Capell and Dannenberg, “Instructional Design and Intelligent Tutoring: Theory and the Precision of Design,” Journal of Artificial Intelligence in Education 4(1), 1993, pp. 95-121.

Dannenberg, “Software Design for Interactive Multimedia Performance,” Interface - Journal of New Music Research, 22(3) (August 1993), pp. 213-228.

Dannenberg, “Music Representation Issues, Techniques, and Systems,” Computer Music Journal, 17(3) (Fall 1993), pp. 20-30.

Dannenberg, Neuendorffer, Newcomer, and Rubine, “Tactus: Toolkit-Level Support for Synchronized Interactive Multimedia,” Multimedia Systems 1(2), 1993, pp 77-86.

Dannenberg, “A Perspective on Computer Music,” Computer Music Journal, 20(1) (Spring 1996), pp. 52-56.

Dannenberg, “Machine Tongues XIX: Nyquist, a Language for Composition and Sound Synthesis,” Computer Music Journal, 21(3) (Fall 1997), pp. 50-60.

Dannenberg, “Abstract Time Warping of Compound Events and Signals,” Computer Music Journal, 21(3) (Fall 1997), pp. 61-70.

Dannenberg, “The Implementation of Nyquist, a Sound Synthesis Language,” Computer Music Journal, 21(3) (Fall 1997), pp. 71-82.

Dannenberg and Thompson, “Real-Time Software Synthesis on Superscalar Architectures,” Computer Music Journal, 21(3) (Fall 1997), pp. 83-94.

Dannenberg and Derenyi, “Combining Instrument and Performance Models for High-Quality Music Synthesis,” Journal of New Music Research, 27(3), (September 1998), pp. 211-238.

Morales-Manzanares, Morales, Dannenberg and Berger, “SICIB: An Interactive Music Composition System Using Body Movements,” Computer Music Journal, 25(2) (Summer 2001), pp. 25-36.

Mazzoni and Dannenberg, “A Fast Data Structure for Disk-Based Audio Editing,” Computer Music Journal, 26(2), (Summer 2002), pp. 62-76.

Dannenberg and Hu, “Pattern Discovery Techniques for Music Audio,” Journal of New Music Research, (June 2003), pp. 153-164.

Dannenberg, Birmingham, Tzanetakis, Meek, Hu, and Pardo, “The MUSART Testbed for Query-By-Humming Evaluation,” Computer Music Journal, 28(2) (Summer 2004), pp. 34-48.

Dannenberg, “Interactive Visual Music: A Personal Perspective,” Computer Music Journal, 29(4) (Winter 2005), pp. 25-35.

Dannenberg and Raphael, “Music Score Alignment and Computer Accompaniment,” Communications of the ACM, 49(8) (August 2006), pp. 38-43.

Hu and Dannenberg, “Bootstrap Learning for Accurate Onset Detection,” Machine Learning 65(2-3) (December 2006), pp. 457-471.

Birmingham, Dannenberg, and Pardo, “Query by Humming With the VocalSearch System,” Communications of the ACM, 49(8) (August 2006), pp. 49-52.

Dannenberg, “Book Review: David Cope, Computer Models of Musical Creativity,” Artificial Intelligence 170 (November 2006), pp. 1218-1221.

Dannenberg, Birmingham, Pardo, Hu, Meek, Tzanetakis, “A Comparative Evaluation of Search Techniques for Query-by-Humming Using the MUSART Testbed,” Journal of the American Society for Information Science and Technology, 58(5) (March 2007), pp. 687-701.

Dannenberg, “Human-Computer Music Performance: A Brief History and Future Prospects,” Journal of the Acoustical Society of America, 135(4) (March 2014), p. 2376.

Dannenberg, Gold, Liang, and Xia, “Methods and Prospects for Human-Computer Music Performance of Popular Music,” Computer Music Journal, 38(2) (Summer 2014), pp. 36-50.

Dannenberg, Gold, Liang, and Xia, “Active Scores: Representation and Synchronization in Human-Computer Music Performance of Popular Music,” Computer Music Journal, 38(2) (Summer 2014), pp. 51-62.

Dannenberg, “Languages for Computer Music,” Frontiers in Digital Humanities, vol. 5, article 26, 2018.

Goto and Dannenberg, “Music Interfaces Based on Automatic Music Signal Analysis,” IEEE Signal Processing Magazine, 36(1) (January, 2019), pp. 74-81.

Dannenberg, “O2: A Network Protocol for Music Systems,” Wireless Communications and Mobile Computing, vol. 2019, Article ID 8424381, 12 pages, 2019.

Scarani, Muñoz, Serquera, Sastre and Dannenberg, “Software for Interactive and Collaborative Creation in the Classroom and Beyond: An Overview of the Soundcool Software,” Computer Music Journal, Vol. 43, No. 4 (Winter, 2019), pp. 12-24.

Sastre and Dannenberg, “Soundcool: collaborative sound and visual creation,” Sonic Ideas, Vol. 12, No. 22 (June, 2020), pp. 75-86. (Also published in Spanish as Soundcool: creacion sonora y visual colaborativa,” Ideas Sonicas, Vol. 12, No. 22, pp. 63-74.) ISSN 2317-9694.

Bonnici, Dannenberg, Kemper and Camilleri, “Editorial: Music and AI,” Frontiers Research Topics with Frontiers in Artificial Intelligence and Frontiers in Big Data, February 2021.

Scarini, Lloret, Sastre, and Dannenberg, “Soundcool: creatividad colaborativa a distancia,” Tsantsa. Revista de Investigciones Artísticas, No. 12 (Dec 2021), ISSN 1390-8448.

Dannenberg, “Communication for Real-Time Music Systems: An Overview of O2.” Computer Music Journal, Vol. 45, No. 4 (Winter, 2022), pp. 7-19.

Dai, Ma, Wang, and Dannenberg, “Personalized Popular Music Generation Using Imitation and Structure,” Journal of New Music Research, (2023).

Dannenberg, Sastre, Scarani, Lloret, and Carrascosa, “Mobile Devices and Sensors for an Educational Multimedia Opera Project,” Sensors, Vol. 23, No. 4378 (2023).

Refereed Conference Articles:

Dannenberg, “An Architecture With Many Operand Registers to Efficiently Execute Block Structured Languages,” in Proceedings of the 6th Annual Symposium on Computer Architecture, Philadelphia, PA, April 1979. New York: ACM, 1979. pp. 50-57.

Dannenberg and Benade, “An Automated Approach to Tuning,” in Proceedings of the 1983 International Computer Music Conference, (October 1983).

Dannenberg, “Arctic: A Functional Language for Real-Time Control,” in Conference Record of the 1984 ACM Symposium on LISP and Functional Programming, (August 1984), pp. 96-103.

Frances K. Dannenberg, Roger B. Dannenberg, and Philip Miller, “Teaching Programming to Musicians,” in 1984 Proceedings of the Fourth Annual Symposium on Small Computers in the Arts (October 1984), pp. 114-122.

Dannenberg, “Protection for Communication and Sharing in A Personal Computer Network,” in Proceedings of the Fifth International Conference on Distributed Computer Systems, Denver, Colorado. May 13-17, 1985. Silver Spring: IEEE Computer Society Press, 1985. pp. 88-98.

Dannenberg, “An On-Line Algorithm for Real-Time Accompaniment,” in Proceedings of the 1984 International Computer Music Conference, Computer Music Association, (June 1985), 193-198.

Dannenberg, McAvinney, and Thomas, “Carnegie-Mellon University Studio Report,” in Proceedings of the International Computer Music Conference 1984, Paris, France, October 19-23, 1984. Ed. William Buxton. San Francisco: Computer Music Association, June 1985. pp. 281-286.

Dannenberg and McAvinney, “A Functional Approach to Real-Time Control,” in Proceedings of the International Computer Music Conference, Paris, France, October 19-23, 1984. San Francisco, CA: Computer Music Association, June 1985. pp. 5-16.

Bloch and Dannenberg, “Real-Time Accompaniment of Polyphonic Keyboard Performance,” Proceedings of the 1985 International Computer Music Conference, Vancouver, BC Canada, August 19-22, 1985. San Francisco: International Computer Music Association, 1985. pp. 279-290.

Dannenberg, “Arctic: Functional Programming For Real-Time Systems,” in Proceedings of the 19th Hawaii International Conference on Systems Science, (January 1986), pp. 216-226.

Buxton, Dannenberg, and Vercoe, “The Computer as Accompanist,” in Human Factors in Computing Systems: CHI '86 Conference Proceedings, Boston, MA, April 13-17, 1986. Eds. M. Mantei, P Orbeton. New York: Association for Computing Machinery, 1986. pp. 41-43.

Xavier Chabot, Roger Dannenberg, Georges Bloch, “A Workstation in Live Performance: Composed Improvisation,” in Proceedings of the 1986 International Computer Music Conference, Den Haag, Netherlands, October 1986. San Francisco: International Computer Music Association, 1986. pp. 57-60.

Dannenberg, “The CMU MIDI Tookit,” in Proceedings of the 1986 International Computer Music Conference, Den Haag, Netherlands, October 1986. San Francisco: International Computer Music Association, 1986. pp. 53-56.

Dannenberg, “A Structure for Representing, Displaying and Editing Music,” in Proceedings of the 1986 International Computer Music Conference, Den Haag, Netherlands, October 20-24, 1986. San Francisco: International Computer Music Association, 1986. pp. 153-60.

Dannenberg and Mont-Reynaud, “Following an Improvisation in Real Time,” in Proceedings of the International Computer Music Conference, Computer Music Association, (August 1987), pp. 241-248.

Dannenberg, “A Real Time Scheduler/Dispatcher,” in Proceedings of the International Computer Music Conference, Computer Music Association, (September 1988), pp. 239-242.

Dannenberg and Mukaino, “New Techniques for Enhanced Quality of Computer Accompaniment,” in Proceedings of the International Computer Music Conference, Computer Music Association, (September 1988), pp. 243-249.

Serra, Rubine, and Dannenberg, “ The Analysis and Resynthesis of Tones via Spectral Interpolation,” in Proceedings of the International Computer Music Conference, Cologne, West Germany, September 20-25, 1988. Eds. Christoph Lischka and Johannes Fritsch. San Francisco: International Computer Music Association, 1988. pp. 322-332.

Dannenberg, “ Real Time Control For Interactive Computer Music and Animation,” in Proceedings of The Arts and Technology II: A Symposium, New London, CT, February 1989. pp. 85-94.

Dannenberg and Fraley, “Fugue: Composition and Sound Synthesis with Lazy Evaluation and Behavioral Abstraction,” in 1989 International Computer Music Conference, Computer Music Association, (October 1989), pp. 76-79.

Dannenberg, “Music Representation: A Position Paper,” in Proceedings of the 1989 International Computer Music Conference, Kologne, Germany, October 1989. Computer Music Association, 1989. pp. 73-75.

Dannenberg and Amon, “A Gesture Based User Interface Prototyping System,” in Proceedings of the 2nd annual ACM SIGGRAPH Symposium on User Interface Software and Technology, Williamsburg, WV, November 13-15 1989. New York: ACM, 1989. pp. 127-132.

Myers, Vander Zanden, and Dannenberg, “Creating Graphical Interactive Application Objects by Demonstration,” in Proceedings of the 2nd annual ACM SIGGRAPH Symposium on User Interface Software and Technology, Williamsburg, WV, November 13-15 1989. New York: ACM, 1989. pp. 95-104.

Allen and Dannenberg, “Tracking Musical Beats in Real Time,” in Proceedings of the International Computer Music Conference, Glasgow, Scotland, September 1990. International Computer Music Association, 1990. pp. 140-143.

Dannenberg, Sanchez, Joseph, Saul, Joseph, and Capell, “An Expert System for Teaching Piano to Novices,” in Proceedings of the 1990 International Computer Music Conference, Glasgow, Scotland U.K. September 10-15, 1990. Ed. Stephen Arnold. San Francisco: International Computer Music Association, 1990. pp. 20-23.

Dannenberg, “Software Support for Interactive Multimedia Performance,” in Proceedings The 3rd Symposium on Arts and Technology, New London, CT, April 4-7, 1991. pp. 148-156.

Dannenberg, “Software Techniques for Interactive Performance Systems,” in International Workshop on Man-Machine Interaction in Live Performance, Scuola di Studi Superiori Universitari e di Perfezionamento, Pisa, Italy, 1991.

Dannenberg and Bookstein, “Practical Aspects of a Midi Conducting Program,” in Proceedings of the 1991 International Computer Music Conference, International Computer Music Association, (October 1991), pp. 537-540.

Dannenberg, Rubine, and Neuendorffer, “The Resource-Instance Model of Music Representation,” in Proceedings of the 1991 International Computer Music Conference, Montreal, Quebec Canada. October 1991. Eds B. Alphonce and B. Pennycook. San Francisco: International Computer Music Association, 1991. pp. 428-432.

Dannenberg, “ Recent Work in Music Understanding ,” in Proceedings of the 11th Annual Symposium on Small Computers in the Arts, Philadelphia, PA November 15-17, 1991. Philadelphia: SCAN, November 1991, pp. 9-14.

Dannenberg and Mercer, “Real-Time Software Synthesis on Superscalar Architectures,” in Proceedings of the 1992 International Computer Music Conference, San Jose, CA, October 1992. International Computer Music Association, October 1992. pp. 174-177.

Dannenberg, Neuendorffer, Newcomer, and Rubine, “Tactus: Toolkit-level Support for Synchronized Interactive Multimedia,” in Proceedings of the Third International Workshop on Network and Operating System Support for Digital Audio and Video, La Jolla, CA, November 1992. IEEE Computer and Communication Societies, 1992. pp. 264-275.

Dannenberg, Sanchez, Joseph, Joseph, Saul, and Capell, “Results from the Piano Tutor Project,” in Proceedings of the Fourth Biennial Arts and Technology Symposium, Connecticut College, (March 1993), pp. 143-150.

Dannenberg, “The Implementation of Nyquist, A Sound Synthesis Language,” in Proceedings of the 1993 International Computer Music Conference, Tokyo, Japan, September 1993. International Computer Music Association, 1993. pp. 168-171.

Dannenberg and Jameson, “Real-Time Issues in Computer Music,” in Proceedings of the Real-Time Systems Symposium, Raleigh-Durham, NC, December 1-3, 1993. IEEE Computer Society Press, 1993. pp. 258-261.

Rubine, Dannenberg, Anderson, and Neuendorffer, “Low-Latency Interaction Through Choice-Points, Buffering, and Cuts in Tactus,” in Proceedings of the International Conference on Multimedia Computing and Systems, Boston, MA, May 1994. Boston, MA: IEEE Computer Society Press, 1994. pp. 224-233.

Grubb and Dannenberg, “Computer Performance in an Ensemble,” in 3rd International Conference for Music Perception and Cognition Proceedings, Liege, Belgium. July 23-27, 1994. Ed. Irene Deliege. Liege: European Society for the Cognitive Sciences of Music Centre de Recherche et de Formation Musicales de Wallonie, 1994. pp. 57-60, 1994.

Grubb and Dannenberg, “Automated Accompaniment of Musical Ensembles,” in Proceedings of the Twelfth National Conference on Artificial Intelligence, AAAI, (1994), pp. 94-99.

Grubb and Dannenberg, “Automating Ensemble Performance,” in Proceedings of the 1994 International Computer Music Conference, Aarhus and Aalborg, Denmark, September 1994. International Computer Music Association, 1994. pp. 63-69.

Dannenberg, “Abstract Time Warping of Compound Events and Signals,” in Proceedings of the 1994 International Computer Music Conference, Aarhus and Aalborg, Denmark, September 1994. International Computer Music Association, 1994. pp. 251-254.

Cammuri, Dannenberg, and De Poli, “Instruction of Computer Music for Computer Engineering Students and Professionals,” in Proceedings of the 1994 International Computer Music Conference, Aarhus and Aalborg, Denmark, September 1994. International Computer Music Association, 1994. pp. 487.

Dannenberg and Bates, “A Model for Interactive Art,” in Proceedings of the Fifth Biennial Symposium for Arts and Technology, Connecticut College, (March 1995), pp. 103-111.

Dannenberg and Rubine, “Toward Modular, Portable, Real-Time Software,” in Proceedings of the 1995 International Computer Music Conference, International Computer Music Association, (September 1995), pp. 65-72.

Thom and Dannenberg, “Predicting Chords in Jazz,” in Proceedings of the 1995 International Computer Music Conference, Banff, Alberta, Canada, September 1995. International Computer Music Association, 1995. pp. 237-238.

Thompson and Dannenberg, “Optimizing Software Synthesis Performance,” in Proceedings of the 1995 International Computer Music Conference, Banff, Canada, September 1995. International Computer Music Association, 1995. pp. 235-236.

Dannenberg and Brandt, “A Flexible Real-Time Software Synthesis System,” in Proceedings of the 1996 International Computer Music Conference, International Computer Music Association, (August 1996), pp. 270-273.

Dannenberg, Thom, and Watson, “A Machine Learning Approach to Musical Style Recognition,” in Proceedings of the 1997 International Computer Music Conference, International Computer Music Association (September 1997), pp. 344-347.

Grubb and Dannenberg, “A Stochastic Method of Tracking a Vocal Performer,” in Proceedings of the 1997 International Computer Music Conference, Thessaloniki, Greece, September 25-30, 1997. San Francisco: International Computer Music Association, 1997. pp. 301-308.

Grubb and Dannenberg, “Enhanced Vocal Performance Tracking Using Multiple Information Sources,” in Proceedings of the International Computer Music Conference, San Francisco: International Computer Music Association, (1998), pp. 37-44.

Dannenberg, “Interpolation Error in Waveform Table Lookup,” in Proceedings of the 1998 International Computer Music Conference, (1998), pp 240-243.

Dannenberg, Pellerin, and Derenyi. “A Study of Trumpet Envelopes,'' in Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association (1998) pp 57-61.

Derenyi and Dannenberg, “Synthesizing Trumpet Performances,” in Proceedings of the International Computer Music Conference, San Francisco: International Computer Music Association, (1998), pp. 490-496.

Brandt and Dannenberg, “Low-Latency Music Software Using Off-The-Shelf Operating Systems,” in Proceedings of the International Computer Music Conference, San Francisco: International Computer Music Association, (1998), pp.137-141.

Brandt and Dannenberg, “Time in Distributed Real-Time Systems,” in Proceedings of the 1999 International Computer Music Conference, San Francisco: International Computer Music Association, (1999), pp. 523-526.

Dannenberg, “Artificial Intelligence, Machine Learning, and Music Understanding,” in Proceedings of the Brazilian Symposium on Computer Music (SBCM2000), Curitiba, Brazil, (2000).

Dannenberg and Matsunaga, “Automatic Capture of Spectrum-Based Instrument Models,” in Proceedings of the 1999 International Computer Music Conference, San Francisco: International Computer Music Association, (1999), pp. 145-148.

Dannenberg and Fisher, “An Audience-Interactive Multimedia Production on the Brain,” in Proceedings The Eighth Biennial Symposium on Arts and Technology, Connecticut College, (March 2001).

Dannenberg, Foote, Tzanetakis, and Weare, “Panel: New Directions in Music Information Retrieval,” in Proceedings of the 2001 International Computer Music Conference, International Computer Music Association, (September 2001), pp. 52-59.

Mazzoni and Dannenberg, “A Fast Data Structure for Disk-Based Audio Editing,” in Proceedings of the 2001 International Computer Music Conference, International Computer Music Association, (September 2001), pp. 107-110.

Dannenberg and van de Lageweg, “A System Supporting Flexible Distributed Real-Time Music Processing,” in Proceedings of the 2001 International Computer Music Conference, San Francisco: International Computer Music Association, (2001), pp. 267-270.

Mazzoni and Dannenberg, “Melody Matching Directly from Audio,” in ISMIR 2001 2nd Annual International Symposium on Music Information Retrieval, Bloomington: Indiana University, (2001), pp. 73-82.

Birmingham, Dannenberg, Wakefield, Bartsch, Bykowski, Mazzoni, Meek, Mellody, and Rand, “MUSART: Music Retrieval via Aural Queries,” in ISMIR 2001 2nd Annual International Symposium on Music Information Retrieval, Bloomington: Indiana University, (2001), pp. 73-82.

Dannenberg, “Music Information Retrieval as Music Understanding,” in ISMIR 2001 2nd Annual International Symposium on Music Information Retrieval, Bloomington: Indiana University, (2001), pp. 139-142.

Hu and Dannenberg, “A Comparison of Melodic Database Retrieval Techniques Using Sung Queries,” in Joint Conference on Digital Libraries, (2002), New York: ACM Press, (2002), pp. 301-307.

Dannenberg, “Listening to 'Naima': An Automated Structural Analysis of Music from Recorded Audio,” in Proceedings of the 2002 International Computer Music Conference. San Francisco: International Computer Music Association, (2002), pp. 28-34.

Dannenberg, “A Language for Interactive Audio Applications,” in Proceedings of the 2002 International Computer Music Conference. San Francisco: International Computer Music Association, (2002), pp. 509-15.

Hu, Dannenberg, and Lewis. “A Probabilistic Model of Melodic Similarity,” in Proceedings of the 2002 International Computer Music Conference. San Francisco: International Computer Music Association, (2002), pp. 471-4.

Dannenberg and Hu, “Discovering Musical Structure in Audio Recordings,” in Music and Artificial Intelligence: Second International Conference, C. Anagnostopoulo, M. Ferrand, A. Smail, eds., Lecture notes in computer science; Vol 2445: Lecture notes in artificial intelligence, Berlin: Springer Verlag, (2002), pp. 43-57.

Dannenberg and Hu, “Pattern Discovery Techniques for Music Audio,” in ISMIR 2002 Conference Proceedings: Third International Conference on Music Information Retrieval, M. Fingerhut, ed., Paris: IRCAM, (2002), pp. 63-70.

Dannenberg, Bernstein, Zeglin, and Neuendorffer, “Sound Synthesis from Video, Wearable Lights, and 'The Watercourse Way',” in Proceedings The Eighth Biennial Symposium on Arts and Technology, New London: Connecticut College, (February 2003), pp. 38-44.

Tzanetakis, Hu, and Dannenberg, “Toward an Intelligent Editor for Jazz Music,” Digital Media Processing for Multimedia Interactive Services: Proceedings of the 4th European Workshop on Image Analysis for Multimedia Interactive Services, London, UK, 9-11 April 2003. Ed. Ebroul Izquierdo. Singapore: World Scientific Press 2002. pp. 332-333.

Hu, Dannenberg, and Tzanetakis. “Polyphonic Audio Matching and Alignment for Music Retrieval,” in 2003 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New York: IEEE (2003), pp. 185-188.

Dannenberg and Neuendorffer. “Sound Synthesis from Real-Time Video Images,” in Proceedings of the 2003 International Computer Music Conference. San Francisco: International Computer Music Association, (2003), pp. 385-388.

Dannenberg and Hu. “Polyphonic Audio Matching for Score Following and Intelligent Audio Editors,” in Proceedings of the 2003 International Computer Music Conference, San Francisco: International Computer Music Association, (2003), pp. 27-34.

Dannenberg, Birmingham, Tzanetakis, Meek, Hu, and Pardo, “The MUSART Testbed for Query-By-Humming Evaluation,” in Proceedings of the Fourth International Conference on Music Information Retrieval, Baltimore, Maryland, USA, October 2003. Baltimore: Johns Hopkins Univeristy, 2003. pp. 41-50.

Dannenberg, “Combining Visual and Textual Representations for Flexible Interactive Signal Processing,” in The ICMC 2004 Proceedings, San Francisco: The International Computer Music Association, (2004).

Lee, Dannenberg, and Chun. “Cancellation of Unwanted Audio to Support Interactive Computer Music,” in The ICMC 2004 Proceedings, San Francisco: The International Computer Music Association, (2004), pp. 692-698.

Dannenberg, Ben Brown, Garth Zeglin, Ron Lupish, “McBlare: A Robotic Bagpipe Player,” in Proceedings of the International Conference on New Interfaces for Musical Expression, Vancouver: University of British Columbia, (2005), pp. 80-84.

Dannenberg, “A Virtual Patchbay for Robust Distributed Interactive Music Systems,” in Proceedings of the 2005 International Computer Music Conference, San Francisco: International Computer Music Association, (2005), pp. 571-574.

Dannenberg, “Toward Automated Holistic Beat Tracking, Music Analysis, and Understanding,” in ISMIR 2005 6th International Conference on Music Information Retrieval Proceedings, London: Queen Mary, University of London, (2005), pp. 366-373.

Hu and Dannenberg, “A Bootstrap Method for Training an Accurate Audio Segmenter,” in Proceedings of the Sixth International Conference on Music Information Retrieval, London, UK, September 2005. London: Queen Mary, University of London & Goldsmiths College, University of London, 2005. pp. 223-229.

Dannenberg and Bernstein, “'Origin, Direction, Location': An Installation,” in Proceedings of the 10th Biennial Symposium on Arts and Technology, New London, Connecticut: Connecticut College, (2006).

Dannenberg, “The Interpretation of MIDI Velocity,” in Proceedings of the 2006 International Computer Music Conference, San Francisco, CA: The International Computer Music Association, (2006), pp. 193-196.

Dannenberg, “Concatenative Synthesis Using Score-Aligned Transcriptions,” in Proceedings of the 2006 International Computer Music Conference, New Orleans, LA, November 2006. San Francisco, CA: The International Cmputer Music Association, 2006. pp. 352-355.

Woodruff, Pardo, and Dannenberg, “Remixing Stereo Music with Score-Informed Source Separation,” in Proceedings of the 7th International Conference on Music Information Retrieval, Victoria, BC, Canada, October 2006, pp. 314-319.

Dannenberg, “New Interfaces for Popular Music Performance,” in Seventh International Conference on New Interfaces for Musical Expression: NIME 2007 New York, New York, NY: New York University, June 2007, pp. 130-135.

Dannenberg, “Abstract Behaviors for Structured Music Programming,” in Proceedings of the 2007 International Computer Music Conference. San Francisco: The International Computer Music Association, (August 2007).

Dannenberg, Cavaco, Ang, Avramovic, Aygun, Baek, Barndollar, Duterte, Grafton, Hunter, Jackson, Kurokawa, Makuck, Mierzejewski, Rivera, Torres, and Yu, “The Carnegie Mellon Laptop Orchestra,” in Proceedings of the 2007 International Computer Music Conference, Volume II. San Francisco: The International Computer Music Association, (August 2007), pp. II-340 - 343.

Dannenberg, “An Intelligent Multi-Track Audio Editor,” in Proceedings of the 2007 International Computer Music Conference, Volume II. San Francisco: The International Computer Music Association, (August 2007), pp. II-89 - 94.

Haines, Vernon, Dannenberg, and Driessen, “Placement of Sound Sources in the Stereo Field Using Measured Room Impulse Responses,” in Proceedings of the 2007 International Computer Music Conference, Volume I. San Francisco: The International Computer Music Association, (August 2007), pp. I-496 - 499.

Law, von Ahn, Dannenberg, and Crawford. “TagATune: A Game for Music and Sound Annotation,” in Proceedings of the 8th International Conference on Music Information Retrieval, ISMIR 2007, Vienna, Austria (September 2007), pp. 361-364.

Schmidt, Dannenberg, Smailagic, Siewiorek, and Bruegge. “Learning an Orchestra Conductor's Technique Using a Wearable Sensor Platform,” in Proceedings of the 11th IEEE International Symposium on Wearable Computers, Boston, MA, October 2007, pp. 113-114.

Dannenberg. “Computer Coordination With Popular Music: A New Research Agenda,” in Proceedings of the Eleventh Biennial Arts and Technology Symposium at Connecticut College, (March 2008).

Dannenberg. “The Nyquist Composition Environment: Supporting Textual Programming with a Task-Oriented User Interface;,” in Proceedings of the 2008 International Computer Music Conference. San Francisco: The International Computer Music Association, (August 2008).

Dannenberg and Wasserman, “Estimating the Error Distribution of a Single Tap Sequence without Ground Truth,” in Proceedings of the 10th International Society for Music Information Retrieval Conference, Kobe, Japan, October 2009, pp. 297-302.

Han, Rho, Dannenberg, and Hwang, “SMERS: Music Emotion Recognition Using Support Vector Regression,” in Proceedings of the 10th International Conference on Music Information Retrieval (ISMIR 2009), (October 2009), pp. 651-656.

Dannenberg and Laurenzo, “Critical point, a composition for cello and computer,” in CHI Extended Abstracts 2010, pp. 2985-2988.

Dannenberg, “Live Coding Using a Visual Pattern Composition Language,” in Proceedings of the 12th Biennial Symposium on Arts and Technology, New London, CT, March 4-6, 2010. New London: Ammerman Center for Art & Technology, Connecticut College, 2010.

Izmirli and Dannenberg, “Understanding Features and Distance Functions for Music Sequence Alignment,” in Proceedings of the 11th International Society for Music Information Retrieval Conference, Utrecht, Germany, August 2010, pp. 411-416.

Dannenberg and Kotcher, “AuraFX: A Simple and Flexible Approach to Interactive Audio Effect-Based Composition and Performance,” in Proceedings of the 2010 International Computer Music Conference, San Francisco: The International Computer Music Association, (August 2010), pp. 147-152.

Dannenberg, Siewiorek, and Zahler, “Exploring Meaning and Intention in Music Conducting,” in Proceedings of the 2010 International Computer Music Conference, San Francisco: The International Computer Music Association, (August 2010), pp. 327-330.

Dannenberg, Dormann, Keaton, Seacord, Svoboda, Volkovitsky, Wilson, and Plum, “As-If Infinitely Ranged Integer Model,” in Proceedings of 2010 IEEE 21st International Symposium on Software Reliability Engineering, San Jose, CA, USA, November 2010, pp. 91-100.

Liu, Dannenberg, and Cai, “The Intelligent Music Editor: Towards an Automated Platform for Music Analysis and Editing,” in Proceedings of the Seventh International Conference on Intelligent Computing, Cairo, Egypt, December 2010, pp. 123-131.

Dannenberg, “A Vision of Creative Computation in Music Performance,” in Proceedings of the Second International Conference on Computational Creativity, Mexico City, Mexico, April 2011, pp. 84-89.

Dannenberg, “Patterns: A Graphical Language for Live Coding Music Performance,” in Proceedings of the Second International Conference on Computational Creativity, Mexico City, Mexico, April 2011, p. 160.

Liang, Xia, and Dannenberg, “A Framework for Coordination and Synchronization of Media,” in Proceedings of the International Conference on New Interfaces for Musical Expression, Oslo, Norway, May 2011, pp. 167-172.

Gold and Dannenberg, “A Reference Architecture and Score Representation for Popular Music Human-Computer Music Performance Systems,” in Proceedings of the International Conference on New Interfaces for Musical Expression, Oslo, Norway, May 2011, pp. 36-39.

Dannenberg and Mohan, “Characterizing Tempo Change in Musical Performances,” in Proceedings of the International Computer Music Conference, Huddersfield, UK, August 2011. San Francisco: The International Computer Music Association. pp. 650-656.

Dannenberg, “A Virtual Orchestra for Human-Computer Music Performance,” in Proceedings of the 2011 International Computer Music Conference, San Francisco, California, August 2011, pp. 185-188.

Xia, Liang, Dannenberg, and Harvilla, “Segmentation, Clustering, and Display in a Personal Audio Database for Musicians,” in Proceedings of The 12th International Society for Music Information Retrieval Conference, Miami, Florida, October 2011, pp.139-144.

Xia, Tay, Dannenberg, and Veloso, “Autonomous Robot Dancing Driven by Beats and Emotions of Music,” in Proceedings of the 11th International Conference on Autonomous Agents and Multiagent Systems, Valencia, Spain, 4-8 June 2012. Ed. Conitzer, Winikoff, Padgham, and van der Hoek. 2012. pp. 205 - 212.

Jin and Dannenberg, “Formal Semantics for Music Control Flow,” in Proceedings of the 2013 International Computer Music Conference, Perth, Australia, August 2013, pp. 85-92.

Dannenberg, Jin, Gold, Sandu, Palliyaguru, Robertson, Stark, and Kleinberger, “Human-Computer Music Performance: From Synchronized Accompaniment to Musical Partner,” in Proceedings of the Sound and Music Computing Conference, Stockholm, Sweden, July 2013, pp. 277-283.

Sastre, J. Cerdà, W. García, C.A. Hernández, N. Lloret, A. Murillo, D. Picó, J. E. Serrano, S. Scarani, R.B. Dannenberg, “New Technologies for Music Education,” in Proceedings of The 2nd International Conference on E-Learning and E-Technologies in Education, Lodz, Poland, September 23-25, 2013, pp. 5974-5982.

Tang and Dannenberg, “Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music Performance,” in Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research, Marseille, France, October 2013, pp. 78 - 85.

Huang, Ma, Xia, Dannenberg, and Faloutsos, “MidiFind: Fast and Effective Similarity Searching in Large MIDI Databases,” in Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research, Marseille, France, October 2013, pp. 208-224.

Dannenberg and Neuendorffer, “The Global Net Orchestra: A Large-Scale Internet Music Performance,” in Proceedings of the Fourteenth Biennial Symposium on Arts and Technology, New London, CT, February 2014, pp. 730 - 736.

Yi, Lazzarini, Dannenberg and Fitch, “Extending Aura with Csound Opcodes,” in Proceedings of the 11th Sound & Music Computing joint with the 40th International Computer Music Conference, Athens, Greece, September 2014, pp. 1542-1549.

Dannenberg and Neuendorffer, “Scaling Up Live Internet Performance with the Global Net Orchestra,” in Proceedings of the 11th Sound & Music Computing joint with the 40th International Computer Music Conference, Athens, Greece, September 2014, pp. 730-736

Ringwalt, Dannenberg and Russell, “Optical Music Recognition for Interactive Score Display,” in Proceedings of the International Conference on New Interfaces for Musical Expression, Baton Rouge, Louisiana, May 2015, pp. 95-98.

Dannenberg and Russell “Arrangements: Flexibly Adapting Music Data for Live Performance,” in Proceedings of the International Conference on New Interfaces for Musical Expression, Baton Rouge, Louisiana, May 2015, pp. 315-316.

Dannenberg, Stiles, Li, and Zhang, “An Online Interactive Course on Computer Music,” in Proceedings of Looking Back, Looking Forward: 41st International Computer Music Conference, Denton, Texas USA, September 2015, pp. 28-33.

Ringwalt and Dannenberg, “Image Quality Estimation for Multi-Score OMR,” in Proceedings of the 16th International Society for Music Information Retrieval Conference, Malaga, Spain, October 2015, pp. 17-23.

Fu, Xia, Dannenberg, and Wasserman, “A Statistical View on the Expressive Timing of Piano Rolled Chords,” in Proceedings of the 16th International Society for Music Information Retrieval Conference, Malaga, Spain, October 2015, pp. 578-583.

Xia, Wang, Dannenberg, and Gordon, “Spectral Learning for Expressive Interactive Ensemble Performance,” in Proceedings of the 16th International Society for Music Information Retrieval Conference, Malaga, Spain, October 2015, pp. 816-822.

Sastre, J. Murillo, A. Carrascosa, E. García, R. Dannenberg, R. B. Lloret, N. Morant, R. Scarani, S. Muñoz. A., “Soundcool: New Technologies for Music Education,” in Proceedings of the International Conference of Education, Research, and Innovation, Seville, Spain, November 18-20, 2015, Ed. L. Gómez Chova, A. López Martínez, I. Candel Torres. Valencia: IATED Academy, 2015. pp. 5974-5982.

Xia, Kawai, Matsuki, Fu, Cosentino, Trovato, Dannenberg, Sessa, and Takanishi, “Expressive Humanoid Robot for Automatic Accompaniment,” in Proceedings of the 13th International Conference on Sound and Music Computing (SMC), 2016.

Dannenberg and Chi, “O2: Rethinking Open Sound Control,” in Proceedings of the 42nd International Computer Music Conference, Utrecht, September 2016, pp. 493-496.

Xia and Dannenberg, “Improvised Duet Interaction: Learning Improvisation Techniques for Automatic Accompaniment,” in Proceedings of the International Conference on New Interfaces for Musical Expression, Copenhagen, May 2017, pp. 110-114.

Dannenberg, “Time-Flow Concepts and Architectures For Music and Media Synchronization,” in Proceedings of the 43rd International Computer Music Conference, International Computer Music Association, 2017, pp. 104-109.

Xia, Jacobsen, Chen, Dannenberg, and Yang, “ShIFT: A Semi-haptic Interface for Flute Tutoring,” in Proceedings of the International Conference on New Interfaces for Musical Expression, 2018, pp. 162-167.

Norilo and Dannenberg, “KO2 - Distributed Music Systems with O2 and Kronos,” in Proceedings of the 15th Sound and Music Computing Conference (SMC2018), Cyprus, 2018, pp. 452-456.

Dannenberg, “UGG: A Unit Generator Generator,” in Proceedings of the 2018 International Computer Music Conference, International Computer Music Association, 2018.

Jiang and Dannenberg, “Melody Identification in Standard MIDI Files,” in Proceedings of the 16th Sound & Music Computing Conference (SMC2019), Malaga, 2019, pp. 65-71.

Chen, Dannenberg, Raj, and Singh, “Artificial Creative Intelligence: Breaking the Imitation Barrier,” in Proceedings of the 11th International Conference on Computational Creativity (ICCC 2020), Association for Computational Creativity, 2020.

Dannenberg, “Some Histories and Futures of Making Music with Computers,” in Korean Electro-Acoustic Music Society's 2020 Annual Conference Proceedings, 2020, pp. 7-14.

Sastre, Lloret, Scarani, Dannenberg, and Jara, “Collaborative Creation with Soundcool for Socially Distanced Education,” in Korean Electro-Acoustic Music Society's 2020 Annual Conference Proceedings, 2020, pp. 47-51.

Dai, Zhang and Dannenberg, “Automatic Analysis and Influence of Hierarchical Structure on Melody, Rhythm and Harmony in Popular Music,” in Proceedings of the 2020 Joint Conference on AI Music Creativity (CSMC-MuMe 2020), 2020.

Dannenberg, Zhang, Meena, Joshi, Patel, Sastre, “Collaborative Music Creation and Performance with Soundcool Online,” in Web Audio Conference (WAC-2021), Online, July 2021.

Dai, Jin, Gomes, and Dannenberg, “Controllable Deep Melody Generation via Hierarchical Music Structure Representation,” in Proceedings of the 22nd International Society for Music Information Retrieval Conference, Online, Nov 2021, pp. 143-150.

Dannenberg, “O2: Communication Middleware for Real-Time Distributed Music Applications,” Proceedings of the International Computer Music Conference 2022, 2022.

Dai, Yu and Dannenberg, “What is Missing in Deep Music Generation? A Study of Repetition and Structure in Popular Music,” in Proceedings of the 23rd International Society for Music Information Retrieval Conference, Online, Nov 2022.

Wu, He, Liu, Wang, and Dannenberg. “Transplayer: Timbre Style Transfer with Flexible Timbre Control,” in 2023 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), 2023.

Dai, Chen, Wu, Huang, Dannenberg. “SingStyle111: A Multilingual Singing Dataset With Style Transfer,” in Proceedings of the 24th International Society for Music Information Retrieval Conference, Online, Nov 2023.

Zhuo, Yuan, Pan, Ma, Li, Zhang, Liu, Dannenberg, Fu, Lin, Benetos, Chen, Xue, and Guo. “LyricWhiz: Robust Multilingual Lyrics Transcription by Whispering to ChatGPT,” in Proceedings of the 24th International Society for Music Information Retrieval Conference, Online, Nov 2023.

Ma, Yuan, Li, Zhang, Lin, Chen, Ragni, Yin, Benetos, Gyenge, Liu, Xia, Dannenberg, Guo, and Fu. “On the effectiveness of speech self-supervised learning for music,” in Proceedings of the 24th International Society for Music Information Retrieval Conference, Online, Nov 2023.

Technical Reports:

Dannenberg, “An Extended Verification Condition Generator,” CWRU Report CES-79-3, May 1979 (M.S. Thesis).

Dannenberg, “AMPL: Design, Implementation, and Evaluation of A Multiprocessing Language,” CMU Tech Report CMU-CS-82-116, 1982.

Dannenberg, “Resource Sharing In A Network Of Personal Computers,” CMU, 1982 (Ph.D. Thesis)

Rubine and Dannenberg, “Arctic Programmer's Manual and Tutorial,” CMU Tech Report CMU-CS-87-110, 1987.

Dannenberg, Serra, and Rubine, “A Comprehensive Study of Analysis and Synthesis of Tones by Spectral Interpolation,” Technical Report CMU-CS-88-146, Carnegie Mellon University Computer Science Department, June 1988.

Dannenberg, Anderson, Neuendorffer, Rubine, and Zelenka, “Performance Measurements of the Multimedia Testbed on Mach 3.0: Experience Writing Real-Time Device Drivers, Servers, and Applications,” CMU-CS-93-205, 1993.

Dannenberg and Rubine, “A Comparison of Streams and Time Advance As Paradigms for Multimedia Systems,” CMU-CS-94-124, 1994.

Dannenberg, Anderson, Neuendorffer, and Rubine, “Performance Measurements of the Multimedia Testbed on Real-Time Mach,” CMU-CS-94-124, 1994.

Miscellaneous:

Dannenberg, “On Machine Architecture for Structured Programs,” Communications of the Association for Computing Machinery 22,5 (May 1979), p. 311, (technical correspondence).

Dannenberg, “ Foundations of Computer Music edited by Curtis Roads and John Strawn (Book Review),” Journal of the Acoustical Society of America, 78(6), (December 1985), pp. 2154-5.

Dannenberg, “Systemes pour Informatique Musicale a l'universite de Carnegie Mellon,” in Actes du Symposium “Systemes Personnels et Informatique Musicale,” IRCAM, Paris, France, 1987.

Serra, Rubine, and Dannenberg, “A Comprehensive Study of the Analysis and Synthesis of Tones by Spectral Interpolation,” CMU Technical Report CMU-CS-88-146, June 1988.

Dannenberg, “Music Understanding,” 1987/1988 Computer Science Research Review, Carnegie Mellon School of Computer Science, pp. 19-28.

Sanchez, Joseph, Dannenberg, Capell, Saul, and Joseph, “The Piano Tutor,” in ACM SIGGRAPH Video Review Issue 55: CHI '90 Technical Video Program (video). 1990.

Dannenberg, “Recent Developments in the CMU Midi Toolkit,” in Proceedings of the International Seminar Ano 2000: Theoretical, Technological and Compositional Alternatives, Mexico City, Mexico. Julio Estrada, ed., University of Mexico, 1991. pp. 52-62.

Dannenberg, “Computer Accompaniment and Music Understanding,” Proceedings of the 1991 KlangArt Kongress, B. Enders, ed., Universitat Osnabrueck, Germany, 1991.

Dannenberg, ed., Computer Music Video Review, International Computer Music Association (video), 1991.

Dannenberg, “Computer Accompaniment and Following an Improvisation.” Computer Music Video Review Vol. 1, No. 1, International Computer Music Association (video), 1991.

Dannenberg, Fugue Reference Manual, Version 1.0, unpublished reference manual, Carnegie Mellon University, Aug. 1991.

Dannenberg, “Remote Access to Interactive Media,” in Enabling Technologies for High-Bandwidth Applications (September 1992), Proceedings of the SPIE 1785, pp. 230-237 (1993).

Dannenberg, “Combining Intelligence, Media and Interaction in the Piano Tutor,” in Multimedia: Uses, Misuses and Usability of a Revolutionary User Interface, 1992 Symposium Proceedings, Metropolitan Chapter of the Human Factors Society, pp. 15-18, 1992.

Dannenberg, “Music Understanding by Computer,” in IAKTA/LIST International Workshop on Knowledge Technology in the Arts Proceedings, International Association of Knowledge Technology in the Arts, Inc. in cooperation with Laboratories of Image Information Science and Technology, Osaka Japan, pp. 41-56 (September 16, 1993).

Grubb and Dannenberg, “Computer Performance in an Ensemble,” in 3rd International Conference for Music Perception and Cognition Proceedings, European Society for the Cognitive Sciences of Music, Liege, Belgium, pp. 57-60, 1994.

Grubb and Dannenberg, “Ensemble Accompaniment.” Computer Music Video Review Vol. 2, No. 1, International Computer Music Association (video), 1995.

Dannenberg and Capell, “Are Just-In-Time Lectures Effective at Teaching?,” (unpublished report from the Just-In-Time Lectures Consortium website), 1997.

Dannenberg, “Music Understanding and Expressive Performance,” in International Symposium (KANSEI 2001). Muroran. 2001, pp. 35-46.

Dannenberg, “Book Review: Alan Marsden. Representing Musical Time: A Temporal Approach.” (Book Review) Journal of New Music Research 31(1), (March 2002), pp.79-81.

Dannenberg, “Danger in Floating-Point-to-Integer Conversion,” (letter to editor), Computer Music Journal, 26(2), (Summer 2002), p4

Dannenberg, “Aura as a Platform for Distributed Sensing and Control,” in Symposium on Sensing and Input for Media-Centric Systems (SIMS 02), Santa Barbara: University of California Santa Barbara Center for Research in Electronic Art Technology, (2002), pp. 49-57.

Dannenberg, “The Cognition of Basic Musical Structures by David Temperley.” (Book Review) Music Perception 20(3), (Spring 2003), pp. 327-331.

Dannenberg, “Book review: David Temperley, Music and Probability, MIT Press, 2007.” (Book Review) Artificial Intelligence 171, (2007), pp. 1118-1121.

Dannenberg and Russell “Arrangements: Flexibly Adapting Music Data for Live Performance,” Video presented at New Interfaces for Musical Expression (NIME) Conference, Baton Rouge, Louisiana, May 2015, pp. 315-316.

Dannenberg, “Review of ‘The Haskell School of Music: from Signals to Symphonies,’ by Paul Hudak and Donya Quick, Cambridge University Press, 2018,” Journal of Functional Programming, 29(e18) (November), 2019.

Dannenberg, “Scalable and Easy-to-Use NIME Networking” (Demo Abstract and Video), presented at New Interfaces for Musical Expression (NIME) Conference, online, 2022.