Era Publications International v.
Carol Publishing Group
January 30, 1990
No. 89 Civ. 3845 (L.L.S.)
United States District
Court, Southern District New York.
Jonathan W. Lubell, Morrison Cohen Singer &
Weinstein, New York City, for plaintiff.
Melvin L. Wulf, Beldock Levine & Hoffman, New York
City, for defendants.
OPINION AND ORDER
STANTON, District Judge
Plaintiff New Era Publications International
("New Era") moves pursuant to Fed.R.Civ.P. 65 to enjoin defendants Carol
Publishing Group ("Carol") and Jonathan Cavan-Atack  from publishing an
unauthorized biography of the late L. Ron Hubbard.
New Era is the exclusive licensee of the works of Mr.
Hubbard, a prolific and controversial author and founder of the Church of Scientology (the
"Church"). Mr. Hubbard, who died in 1986, has written books on such diverse
topics as science fiction, philosophy and religion. New Era has gone to considerable
lengths to protect the copyrights to Mr. Hubbard's works, instituting suits in the United
States, England, Canada and Australia.
Mr. Atack is the author and Carol is the publisher of A
Piece of Blue Sky (the "book"), a critical biography of Mr. Hubbard. Mr.
Atack was a member of the Church for almost nine years, during which he spent a great deal
of time, money and effort studying Church teachings and pursuing its ideals. (Affirmation
of Jonathan Caven-Atack dated September 29, 1989 ("Atack Aff.") Exhibit A at 1).
Mr. Atack became disillusioned with the Church after
discovering what he perceived to be abusive practices against dissident Church members.
(Id. at 1-2). After a thorough investigation, Mr. Atack came to believe that Scientology
is a dangerous cult and that Mr. Hubbard, far from being the gentle prophet portrayed in
Church literature, was a paranoid, vindictive and profoundly disturbed man. (Id. at 2-5).
He wrote the book to expose what he believes to be the pernicious nature of the Church and
the deceit that is the foundation of the teachings. (Id. at 6-7).
New Era learned that Carol intended to publish the
book and, having reason to believe that it would contain copyrighted materials, New Era
brought this action to prevent its publication. (Affidavit of Jonathan Lubell sworn to
September 14, 1989 paragraphs 3, 4, & 11). Over its objection, Carol was ordered to
produce the manuscript of the book to New Era. Review of the manuscript disclosed
substantial quotation from copyrighted material and New Era moved for a preliminary
injunction. The parties subsequently agreed to merge the proceedings for preliminary and
permanent injunctions pursuant to Fed.R.Civ.P. 65(a)(2).
According to New Era, 121 passages of the book are
taken from 48 copyrighted sources. (Affidavit of Kenneth Long sworn to September 14, 1989
("First Long Aff.") paragraph 8 & Exhibit A; Affidavit of Kenneth Long sworn
to October 17, 1989 ("Second Long Aff.") paragraph 3. These passages total 4,324
words, which is approximately 2.9% of the total words in the book.  (First Long Aff.
paragraph 8). New Era asserts that two of the passages, totalling 33 words, are from
unpublished materials, although Carol contends that these materials have been published.
Carol also claims that some of the works allegedly infringed by the book are, for various
reasons, not appropriate subjects for a copyright action.
New Era asserts, as it has in another action to enjoin
a biography of Mr. Hubbard, that it has been authorized to publish a biography of Mr.
Hubbard that will draw from both his published and unpublished writings. (Affidavit of
Carl Heldt sworn to September 14, 1989 ("Heldt Aff.") paragraph 7); New Era
Publications Int'l v. Henry Holt and Co., 695 F.Supp. 1493, 1522 (S.D.N.Y., 1988), aff'd,
873 F.2d 576 (2d Cir., 1989). It contends that publication of the book will seriously
impair the market for this biography. (Heldt Aff. paragraph 7).
New Era asserts that publication of the biography
would infringe on the copyright of Mr. Hubbard's works in violation of 17 U.S.C. sections
106, 501 (1988). Carol contends that the use of the copyrighted materials is protected by
the "fair use" privilege embodied in 17 U.S.C. section 107. 
1. Validity of Certain Copyrights
Carol contends that New Era has not submitted proof of
registration of six works, representing nine of the passages that New Era claims come from
copyrighted sources. (Defendant's Supplemental Memorandum of Law in Opposition to
Plaintiff's Motion for a Preliminary Injunction at 2).  "Registration of a
copyright is a jurisdictional prerequisite to a suit for infringement." Wales
Industrial, Inc. v. Hasbro Bradley, Inc., 612 F.Supp., 510, 515 (S.D.N.Y 1985) (footnote
omitted). However, New Era has demonstrated that it has registered these six works. (See
Affidavit of Kenneth Long sworn to November 2, 1989 ("Third Long Aff.")
paragraphs 4). 
Carol also contends that the copyright of one of the
materials, the HCO Manual of Justice (the "Manual") has
expired. The Manual contains 18 of the allegedly infringed passages, totalling
approximately 389 words. Carol contends that because the Manual was published in
1959, the 28-year copyright term provided for in the Copyright Act of 1909  (the
"1909 Act") expired in 1987.
The Copyright Act of 1976 (the "1976 Act")
states that any copyright that was in its first term on January 1, 1978 "shall endure
for twenty-eight years from the date it was originally secured." 17 U.S.C. paragraph
304(a). Under section 10 of the 1909 Act, an author secured a copyright by publishing a
work with a copyright notice. Section 19 required that the copyright notice indicate the
year in which the copyright was secured by publication. The copyright notice in the Manual
indicates that it was published in 1959, although the work was not registered until
September 14, 1989. (Affirmation of Melvin Wulf dated October 24, 1989 Exhibit A).
New Era states that the copyright has not expired
because, the copyright notice notwithstanding, the Manual is unpublished. (Third
Long Aff. paragraph 5). Under section 26 of the 1909 Act, the date of publication is the
date when copies are "placed on sale, sold, or publicly distributed." New Era
notes that there is a blank in its copyright application in the space provided for the
date of publication and the registration form states that the date of publication is to be
included "ONLY if this work has been published." (First Verified Amended
Complaint Exhibit B-54 (emphasis in original).
However, New Era had previously asserted that the work
is published. (Heldt Aff. paragraph 4). New Era fails to offer an explanation for the date
on the copyright notice or its earlier assertion that the Manual is published.
Because the Manual was published with a copyright notice in 1959, its copyright
expired in 1987. Accordingly, that work is no longer entitled to copyright protection and
the passages from it contained in the book will not be considered in determining New Era's
claim of infringement. See Harvey Cartoons v. Columbia Pictures Industries, Inc., 645
F.Supp. 1564, 1571 (S.D.N.Y. 1986).
II. Fair Use
The book takes many passages from copyrighted sources.
It infringes New Era's copyright unless copying the passages is fair use. See Harper &
Row Publishers, Inc. v. Nation Enterprises, 471 U.S. 539, 569, 105 S.Ct. 2218, 2235, 85
L.Ed.2d 588 (1985) (defendant conceded that its quotation of 300 words was infringement
"unless excused as a fair use.").
The privilege of fair use, a common-law doctrine
codified in section 107 of the 1976 Act, allows a reasonable use of copyrighted materials
without the consent of the owner. Harper & Row, 471 U.S. at 549, 105 S.Ct. at 2224
(quoting H. Ball, Law of Copyright and Literary Property 260 (1944)). The nature of the
privilege is summed up in Justice Story's classic statement of the doctrine:
[A] reviewer may fairly cite largely from the
original work, if his design be really and truly to use the passages for the purpose of
fair and reasonable criticism. On the other hand, it is as clear, that if he thus cites
the most important parts of the work, with a view, not to criticize, but to supersede the
use of the original work, and substitute the review for it, such a use will be deemed in
law a piracy.
Folsom v. Marsh, 9 F.Cas. 342, 344-45 (C.C.D.Mass.
1841) (No. 4,901) (cited in Harper & Row, 471 U.S. at 550, 105 S.Ct. at 2225). Section
107 was intended merely to codify the common law doctrine, not to modify it. See Harper
& Row, 471 U.S. at 549, 105 S.Ct. at 2224.
Section 107 allows the fair use of a copyrighted work
"for purposes such as criticism, comment, news reporting, teaching (including
multiple copies for classroom use), scholarship, or research." 17 U.S.C. section 107.
It sets out four nonexclusive factors used to determine whether a use is fair: (1) the
purpose and character of the use, including whether it is being published for profit; (2)
the nature of the copyrighted work; (3) the amount and substantiality of the portion used
compared to the copyrighted work as a whole; and (4) the effect on the potential market of
the copyrighted work. Id.
A. The Purpose and Character of the Use
Carol's potential profit from its use of copyrighted
materials "tends to weigh against a finding of fair use." Harper & Row, 471
U.S. at 562, 105 S.Ct. at 2231. Yet the mere fact that a work may produce pecuniary gain
for its author or publisher is not dispositive of a claim of fair use. See Maxtone-Graham
v. Burtchaell, 803 F.2d 1253, 1262 (2d Cir. 1986), cert. denied, 481 U.S. 1059, 107 S.Ct.
2201, 95 L.Ed.2d 856 (1987). Such an absolute rule would severely restrict the operation
of the fair use doctrine, as virtually all publications involves some profit motive. Ibid.
Thus the Second Circuit has stated when previously analyzing a claim of fair use by a
biographer of Mr. Hubbard that "[a]s long as a book can be classified as a work of
criticism, scholarship or research, as can the book here, the factor cuts in favor of the
book's publisher." New Era, 873 F.2d at 583. As this general statement suggests, the
overall purpose and character of the use of copyrighted materials in the book tends to
favor a finding of fair use.
However, many of the specific uses of copyrighted
materials serve no fair use purpose. See Craft v. Kobler, 667 F.Supp. 120, 126 (S.D.N.Y.
1987) (analysis of purpose and character of use "calls for examination of how the
particular taking of protected material serves the instructive goals that the fair use
doctrine seeks to promote."). Passages from copyrighted works are often set off by
themselves at the beginning of a part or chapter. (See First Long Aff. Exhibit A, passages
1, 2, 5-6, 9, 21, 34, 39, 51-52, 75, 85, 102, 107, 109-110, 119). The evident purpose of
this device, which is carried out with some effect, is to use passages from Mr. Hubbard's
work to set the tone for the sections they precede. In essence, these passages use
copyrighted materials as a literary device rather than as a basis for a critical study of
Mr. Hubbard. They therefore serve a very weak fair use purpose. Cf. Sony Corp. of America
v. Universal City Studios, Inc., 464 U.S. 417, 455 n.40, 104 S.Ct. 774, 795 n.40, 78
L.Ed.2d 574 (1984) (although not determinative, productive nature of use "may be
helpful in calibrating the balance" of fair use).
For example, the following quotation from Mr.
Hubbard's poem Hymn of Asia precedes a section about his early life:
Some small few
To tell about me lies
And invent wicked
And spread out infamy
Abroad and Within
And to stand before
And insult and
Lie and tell
Evil rumors about us all.
(First Long Aff. Exhibit A, passage 5).
Mr. Atack states that the purpose of this quotation is
to show "Hubbard's concern, and indeed paranoia, that he would be
misrepresented." (Atack Aff. Exhibit B, paragraph 5). However, Mr. Atack does not
analyze this quotation and what it reveals about Mr. Hubbard. No comment or criticism is
directed at it. The passage is merely set forth, for readers to make of it what they will.
The quotation itself is gratuitous: whatever illuminating effects its presence may give
from mere juxtaposition, that effect rests on copyright infringement since it is put to no
"use." Rather, the passage serves only as a backdrop for the section which
follows it. Such quotations reproduce the work of Mr. Hubbard, rather than serve the
scholarship, criticism, comment or research of Mr. Atack; thus their use is essentially
predatory rather than fair. See Maxtone-Graham, 803 F.2d at 1260 ("'[t]here must be
real, substantial condensation of the materials, and intellectual labor and judgment
bestowed thereon; and not the facile use of the scissors'" (citing Folsom, 9 F.Cas.
Similarly, the book contains the following quotation:
"All that Ethics [sic] is for . . . is simply that additional tool necessary to make
it possible to apply the technology of Scientology. Man does not have that purpose for his
law or his justice. He wants to squash people who are giving him trouble." (First
Long Aff. Exhibit A, passage 109 (omission in Atack book)). This quotation precedes a
section of the book that details Mr. Hubbard's alleged use of lawsuits to obstruct and
harass those who opposed him, and is followed immediately by another substantial quotation
set off as a chapter heading.
The use of such quotations cannot be justified as
"ironic" (Atack Aff. Exhibit B, paragraph 5). The effect is that Mr. Hubbard's
expressions frame and inspire Mr. Atack's book: to this extent it is Mr. Hubbard, not Mr.
Atack who is the author of the book, and that is not fair use but infringement.
Nor are other uses of copyrighted materials warranted.
Some of the quotations of Mr. Hubbard's factual accounts do not contribute to the accuracy
of the book or otherwise serve a fair use purpose. (See First Long Aff. Exhibit A,
passages 7, 10, 18). For example, the book quotes the following: "In the isolation of
the high hills of Tibet, even native bandits responded to Ron's honest interest in them
and were willing to share with him what understanding of life they had." (Id. passage
10). The avowed purpose of this quotation is to show falsehood, because Mr. Hubbard was
never in Tibet. (Atack Aff. Exhibit B, paragraph 10). Clearly, Mr. Atack could make that
simple point by using only the facts and not the ebullient verbiage of Mr. Hubbard's
passage. See Salinger v. Random House, Inc., 811 F.2d 90, 96-97 (2nd Cir. 1987).
Mr. Atack quotes the following passage:
Blinded with injured optic nerves, and lame
with physical injuries to hip and back, at the end of World War II, I faced an almost
nonexistent future. My Service record stated: "This officer has no neurotic or
psychotic tendencies of any kind whatsoever," but it also stated "permanently
And so there came a further blow - I was
abandoned by family and friends as a supposedly hopeless cripple and a probable burden
upon them for the rest of my days. I yet worked my way back to fitness and strength in
less than two years, using only what I knew about Man and his relationship to the
universe. I had no one to help me; what I had to know I had to find out. And it's quite a
trick studying when you cannot see.
I became used to being told it was all
impossible, that there was no way, no hope. Yet I came to see again and walk again.
(First Long Aff. Exhibit A, passage 18). Mr. Atack's
explanation for using this quotation is that it is false. (Atack Aff. Exhibit B, paragraph
1). While facts may be conveyed in this passage, its effect is to appropriate Mr.
Hubbard's grandiose and extravagant expressions. For the limited purpose of challenging
the "facts" in it, Mr. Atack could have stated the substance of Mr. Hubbard's
assertions. See Salinger, 811 F.2d at 96 (biographer could have copied only facts to avoid
injunction). The result might have been a colorless sentence indeed, but (under Second
Circuit precedent which controls this court) an author "is not at liberty to avoid
'pedestrian' reportage by appropriating his subject's literary devices." Id. at 97.
In sum, many of the passages lack any allowable fair
use purpose. They often are only used as topic headings, as signals in Mr. Hubbard's words
of the subject Mr. Atack will next address. That is not a fair use but an appropriation.
To that extent the purpose and nature of the use strongly favors New Era.
B. The Nature of the Copyrighted Work
1. Published and Unpublished Sources
New Era claims that two of the passages are from
unpublished materials. The scope of the fair use privilege is much narrower with regard to
such materials. See Harper & Row, 471 U.S. at 564, 105 S.Ct. at 2232; Salinger, 811
F.2d at 97. However, Carol has demonstrated that both passages come from published
sources. One of the passages appeared in a newspaper article in 1984. (See Atack Aff.
paragraph 7, Exhibit D). The other appeared in Mr. Hubbard's book, What is Scientology.
(Id. at paragraph 8).
2. Factual and Creative Materials
"Facts cannot be copyrighted." Consumers
Union of the United States, Inc. v. General Signal Corp., 724 F.2d 1044, 1049 (2d Cir.
1983) (citing 17 U.S.C. section 102(b)), cert. denied, 469 U.S. 823, 105 S.Ct. 100, 83
L.Ed.2d 45 (1984). When a copyrighted work is factual, others may quote it more liberally.
Harper & Row, 471 U.S. at 563, 105 S.Ct. at 2232. In such cases quotation can be
necessary "adequately to convey the facts." Ibid.
A biography by definition purports to be a factual
account, and many of the allegedly infringing passages are from statements Mr. Hubbard
contended were historical facts. (See, e.g., First Long Aff. Exhibit A, passages 8-9,
11-17, 50, 77-78, 87, 89, 95). Many of these passages relate to the account of Mr.
Hubbard's travels as a young man and his participation in the Second World War. Mr. Atack
contrasts them to his own version of events, and therefore some verbatim quotation is
necessary for accuracy.
Mr. Atack uses other quotations to expound Mr.
Hubbard's scientific theories (See, e.g., id., passages 22-25, 31-32, 38, 43, 49, 79). For
example, Mr. Hubbard asserted that a person who followed his teachings and attained the
status of a "Clear" could do a computation which a "normal [person] would
do in half an hour, in ten or fifteen seconds." (Id., passage 23). Quotation of such
factual assertions is entitled to broad fair use protection. See Weissmann v. Freeman, 868
F.2d 1313, 1325 (2d Cir.) (plurality opinion), cert. denied, ____ U.S. ____, 110 S.Ct.
219, 107 L.Ed.2d 172 (1989); Maxtone-Graham, 803 F.2d at 1263-64.
However, many of the passages in the book are from Mr.
Hubbard's creative and philosophical writings. (See e.g., First Long Aff. Exhibit A,
passages 1-2, 6, 21, 33, 41, 51, 54, 75, 84-85, 109, 113, 117).  Most of these
quotations are not necessary to assure accuracy. Instead, they are used for their
For example, Mr. Atack quotes the following:
The hardest task one can have is to continue to
love one's fellows despite all the reasons he should not . . .
A primary trap is to succumb to invitations to
hate. There are those who appoint one their executioners. Sometimes for the sake of the
safety of others, it is necessary to act, but it is not necessary also to hate them.
(Id. passage 84) (omission in Atack book). Mr. Atack
describes this statement as hypocritical. (Atack Aff. Exhibit B paragraph 84). However,
the passage is essentially expressive rather than factual, and the nature of the passage
weighs against a finding that its use is fair.
Mr. Atack also appropriates Mr. Hubbard's expression
in the following passage: "My purpose is to bring a barbarism out of the mud it
thinks conceived it and to form here on Earth, a civilization based on human
understanding, not violence. That's a big purpose. A broad field. A star-high goal. But I
think it's your purpose, too." (First Long Aff. Exhibit A, passage 2). Mr. Atack uses
this passage to demonstrate "the false public face of Scientology." (Atack Aff.
Exhibit B paragraph 2).
The use of the first sentence of this passage is
arguably necessary to relate accurately the professed purposed of Scientology, and to that
extent the quotation is factual. However, the remainder of the quotation appropriates Mr.
Hubbard's expression about these purposes and is superfluous to a factual discussion of
Similarly, Mr. Atack quotes the following passage:
It is definitely none of my business how you
apply these techniques. I am no policeman ready with boards of ethics and court warrants
to come down on you with a crash simply because you are 'perverting Scientology.' If there
is any policing to be done, it is by the techniques themselves, since they have in
themselves a discipline brought about by their own power. All I can do is put into your
hands a tool for your own use and then help you use it.
(First Long Aff. Exhibit A, passage 54). This passage
contains several factual assertions by Mr. Hubbard. However, Mr. Atack uses the entire
quotation, rather than culling the facts from the expressive materials in which they are
Because these and so many other quoted passages are
expressive rather than factual materials, this factor favors New Era. See Harper &
Row, 471 U.S. at 563-64, 105 S.Ct. at 2232 (use of copyrighted matter "whose power
lies in the author's individualized expression . . . . exceeds that necessary to
disseminate the facts.").
C. Amount and Substantiality of the Portion
Used Compared to the Copyrighted Work as a Whole
The parties strongly dispute the appropriate method of
applying this factor. The language of the statute indicates the appropriate measure is
"the amount and substantiality of the portion used in relation to the copyrighted
work as a whole." 17 U.S.C. section 107(3). However, courts have used a number of
different comparisons when analyzing this factor. See e.g. Harper & Row, 471 U.S. at
564-66, 105 S.Ct. at 2232-33 (assessing quality and quantity of taking; measuring quality
as importance of quoted material to both copyrighted work and infringing work and quantity
as percentage that copyrighted materials constitute of infringing work); Salinger, 811
F.2d at 98-99 (measuring quality as importance of copyrighted work to infringing work and
quantity as portion of copyrighted work taken); Maxtone-Graham, 803 F.2d at 1263
(assessing quality by importance of materials taken to copyrighted work and quantity by
percentage of copyrighted work taken); Consumers Union, 724 F.2d at 1050 (measuring
quantity as portion of copyrighted work taken); Meeropol v. Nizer, 560 F.2d 1061, 1070-71
(2d Cir. 1977) (measuring quantity as percentage that copyrighted materials constitute of
infringing work), cert. denied, 434 U.S. 1013, 98 S.Ct. 727, 54 L.Ed.2d 756 (1978); Craft,
667 F.Supp. at 128-29 (assessing quality by importance of copyrighted materials to
infringing work and quantity as percentage that copyrighted materials constitute of
Of course, these courts have not used these various
methods because of indifference to the statutory language. Instead, these differing
approaches indicate that courts make a pragmatic analysis of this factor, considering both
the quality and quantity of the copyrighted materials used and conscious that the factors
listed in section 107 are not exclusive. See id. at 128.
In Harper & Row, the Supreme Court stressed the
"qualitative nature of the taking" in determining substantiality. Harper &
Row, 471 U.S. at 565, 105 S.Ct. at 2233. In that case The Nation magazine published an
article using excerpts from a stolen manuscript of President Ford's memoirs. Id. at 543,
105 S.Ct. at 2221. Because the allegedly infringing passages played a "key role in
the infringing work," the Court held that the taking was substantial. Id. at 566, 105
S.Ct. at 2233. See also Salinger, 811 F.2d at 99 (quoted passages were substantial because
they "make the [infringing] book worth reading").
The Atack book uses Mr. Hubbard's materials in a
quanlitatively significant way. As stated above, passages from copyrighted works are often
set off by themselves in order to set a general tone.  In Harper & Row, the Court
found it significant that the Nation article was "structured around the quoted
excerpts which serve as its dramatic focal points." 471 U.S. at 566, 105 S.Ct. at
2233. Mr. Atack makes much the same use of some of the materials taken from Mr. Hubbard's
The other quotations from copyrighted sources are in
the text of the book. Unlike the copyrighted materials in Harper & Row, these quoted
passages are not "'essentially the heart'" of Mr. Hubbard's copyrighted work.
Id. at 565, 105 S.Ct. at 2233 (quoting district court opinion, 557 F.Supp. 1067, 1072
(S.D.N.Y. 1983)). Still, they are "an important ingredient of the book as it now
stands." Salinger, 811 F.2d at 99. The focus of the book is frequently on the
difference between Mr. Atack's portrayal of events and Church teachings and Mr. Hubbard's.
Thus the importance of the copyrighted material to the Atack book weighs in favor of New
The quantity of copyrighted material used reinforces
this conclusion. Mr. Atack has taken passages from a substantial number of Mr. Hubbard's
copyrighted sources. Under these circumstances, it is of little value to measure this
taking solely by the amount of copyrighted materials in the book as compared to the volume
of the source materials from which they were taken. See Craft, 667 F.Supp. at 128-29
(rejecting strict application of this factor in case involving takings from numerous works
of author). Such an analysis would reduce copyright protection for authors merely because
their materials are lengthy or the body of their work is prodigious; it would conflict
with the goal of encouraging authors' creative endeavors. See Harper & Row, 471 U.S.
at 545-46, 105 S.Ct. at 2222-23; Sony Corp., 464 U.S. at 429, 104 S.Ct. at 782.
There are slightly less than 4,000 copyrighted words
in the book. While this figure is insignificant when compared to the total words in all
the copyrighted sources from which they were taken, it represents about 2.7% of the volume
of Mr. Atack's book. Moreover, the book uses a rather large percentage of some copyrighted
sources. In sum, the quoted passages comprise a small, but significant element of the
book, and accordingly this factor favors New Era.
D. Effect on the Market
This factor looks to the effect on the potential
market for the copyrighted work. New Era asserts that it plans to produce an authorized
biography of Mr. Hubbard which will include both his published and unpublished writings.
(Heldt Aff. paragraph 7). It contends that the book will seriously impair the market for
the authorized biography. (Ibid). The 1976 Act protects the markets for both the original
Hubbard source materials and any derivative materials such as New Era's forthcoming
biography. See Harper & Row, 471 U.S. at 568, 105 S.Ct., at 2234 (effects on potential
markets for original and derivative works are relevant when determining fair use).
The Second Circuit has previously addressed the effect
on the market for New Era's anticipated biography when analyzing another unauthorized
biography of Mr. Hubbard which contained his copyrighted materials. See New Era, 873 F.2d
at 583. In that case, the infringing book contained a number of passages from unpublished
works. The court held that "'some impairment of the market seems likely.'" and
that this factor weighed slightly in New Era's favor. Ibid. (quoting Salinger, 811 F.2d at
Unlike the biography at issue in New Era, here the
book does not contain any copyrighted materials from unpublished works. No consumer will
be drawn to the book because it contains materials that are unavailable elsewhere. New
Era's biography might lose sales to consumers who are reluctant to read two accounts of
Mr. Hubbard's life, even if written from different perspectives. Other consumers might
decide not to purchase New Era's biography because of the book's negative portrayal of Mr.
Hubbard. However, these effects do not result from Mr. Atack's use of copyrighted
materials; the book could adversely affect the market for New Era's biography in those
ways even if it contained no copyrighted materials at all.
Still, there may be some effect on the market for the
copyrighted works because of the book's use of protected materials. Consumers may find
after reading the book that they have gotten a sufficient flavor of Mr. Hubbard's writings
to deter them from buying the source materials. Cf. Salinger, 811 F.2d at 99 (reading
excerpts of unpublished letters may "diminish interest in purchasing the
originals."). Others may wish to purchase a biography of Mr. Hubbard that contains
his writings, and may select the book rather than wait until New Era publishes the
authorized biography. Still others might become interested in the subject and stimulated
to buy Mr. Hubbard's works. Thus publication of the book could have some effect on the
market for the copyrighted works.
In other contexts, the effect on the market has been
described as the most important factor in fair use analysis. See Harper & Row, 471
U.S. at 566, 105 S.Ct. at 2233; Salinger, 811 F.2d at 99. However, in those cases the
effect on the market from the alleged infringement was clearer than it is here. In Harper
& Row, for example, The Nation's use of a stolen, unpublished manuscript had both
immediate and tangible effects on the market for President Ford's memoirs. 471 U.S. at
567, 105 S.Ct. at 2234. In Salinger, the court of appeals recognized that use of
Salinger's unpublished letters might affect their future value, notwithstanding Salinger's
disavowal of any desire to publish them during his lifetime. 811 F.2d at 99.
Here, any effect on the market for New Era's
forthcoming biography is speculative. Accordingly, this factor does not favor either
To summarize, the first three fair use factors favor
New Era and the fourth factor neither party. While section 107 "does not, and does
not purport, to provide a rule which may automatically be applied in deciding whether any
particular use is 'fair,'" D. Nimmer & M. Nimmer. 3 Nimmer on Copyright
section13.05[A], at 13-65 (1989), Carol has not pointed to any other cogent rationale
favoring publication. Indeed, relevant equitable considerations indicate New Era is
entitled to an injunction, Cf. New Era, 873 F.2d at 595-97 (Oakes, C.J., concurring)
(decision whether to enjoin publication is governed by "traditional equitable
principles"). In contrast to a prior action to enjoin a critical biography of Mr.
Hubbard, here New Era diligently asserted its rights. See Id. at 584-85 (injunction denied
because of laches). The book is still in manuscript form, so deletion of the infringing
passages will be relatively simple and inexpensive.
The only apparent hardships resulting from an
injunction are some delay in publication and a more stringent editing process. These do
not overcome the general rule that an infringer should be enjoined. See Wainwright
Securities Inc. v. Wall Street Transcript Corp., 558 F.2d 91, 94 (2d Cir. 1977), cert.
denied, 434 U.S. 1014, 98 S.Ct. 730, 54 L.Ed.2d 759 (1978) (irreparable harm is normally
presumed if infringement is demonstrated).
There is a difference between published and
unpublished works, even if it is no more than the use of an unpublished writing
misappropriates not only the expression itself but also the author's decision whether to
publish it. Harper & Row, Salinger and New Era should be read with that difference in
mind. Even so, in this case there is too often republication without that criticism or
illumination which comprise fair use rather than infringement.
New Era's motion for preliminary and permanent
injunction is granted. The book may not be published in its present form. Plaintiff may
submit a form of judgment on consent or on notice.
1. Mr. Atack has not been served with a summons
and complaint in this action, nor has he entered an appearance. (Affirmation of Jonathan
Caven-Atack dated September 29, 1989 paragraph 2).
2. New Era arrived at this figure by counting
the words on each of the first ten pages following the book's introduction to determine
the average number of words per page. It then multiplied this figure by the number of
pages in the book, resulting in an estimate of 147,000 words in the book. (First Long Aff.
New Era has prepared a schedule comparing each
of the copyrighted materials in the book with the Hubbard quotation from which it was
taken. (See id. paragraph 6 & Exhibit A). New Era asserts that in making its
calculation of the total number of words Mr. Atack takes from copyrighted materials, it
has only counted those words that are quoted or are closely paraphrased. (Second Long.
Aff. paragraph 7).
3. Section 107 states:
Notwithstanding the provisions of sction 106,
the fair use of a copyrighted work, including such use by reproduction in copies or
phonorecords or by any other means specified in that section, for purposes such as
criticism, comment, news reporting, teaching (including multiple copies for classroom
use), scholarship, or research, is not an infringement of copyright. In determining
whether the use made of a work in any particular case is a fair use the factors to be
considered shall include -
(1) the purpose and character of the use,
including whether such use is of a commercial nature or is for nonprofit educational
(2) the nature of the copyrighted work;
(3) the amount and substantiality of the
portion used in relation to the copyrighted work as a whole; and
(4) the effect of the use upon the potential
market for or value of the copyrighted work.
17 U.S.C. section 107.
4. Carol originally asserted that New Era had
not provided proof of registration for other copyrightes that the book would allegedly
infringe. (See Defendant's Memorandum of Law in Opposition to Plaintiff's Motion for a
Preliminary Injunction at 8). New Era filed an amended complaint establishing registration
of these material.
5. Carol has also asserted that some of the
claimed copyrights are invalid because they were filed by the executor of Mr. Hubbard's
estate and there is no showing that the executor has authority to act with regard to these
works. However, New Era has demonstrated the executor's authority with respect to Mr.
Hubbard's literary property. (See Third Long Aff. paragraph 2 & Exhibit A).
New Era has also demonstrated that several
copyrights are valid even though they were registered in Mr. Hubbard's name after his
death. (See Third Long Aff. Exhibit 3).
6. The Copyright Act of 1909 was repealed and
replaced with the Copyright Act of 1976, Pub.L. No. 94-553, 90 Stat. 2541 (1976).
7. Not all of the passages from copyrighted
sources have been categorized here as factual or creative. Much of his work does not lend
itself to such neat charaterization. (See, e.g., First Long Aff. Exhibit A, passage 3).
8. See supra pp. 996-97.
9. This figure results from subtracting the
approximately 389 works taken from the HCO Manual of Justice from New Era's count
of words taken from copyrighted materials in the book, as the copyright on that work has