Carnegie Mellon University > Robotics Institute > Garth Zeglin > Art Advising
My first serious art activities involved consulting with artists to provide advice on how to implement their ideas with technology within their abilities. This was definitely a two-way street, I have learned much from these discussions about how to approach art questions.
I have since become focussed on trying to apply this experience to work of my own but still occasionally get involved in a project as a technologist, although mostly in the context of Rossum's.
In 2006 I served on the MFA committee for Takehito Etani at Carnegie Mellon.
In 2001 I served as a robotics consultant to the Critical Art Ensemble for the Genterra project. I also participated in the first performance at le Magasin Centre National d'Art Contemporain in Grenoble, France.
In 2001 I served as a robotics consultant to artist Beatriz da Costa during development of a robotic cello, titled "Cello".
In 2000 I was a technical advisor to artist Heidi Kumao for the kinetic sculpture Lullaby, as well as early prototypes of Monitor I.
Page revision: 2008/05/06 15:59:23.
Garth Zeglin, Robotics Institute, Carnegie Mellon University.