Event class: jazz, band, recorded, recording, orchestra, album, joined, played, records, blues

Events with high posterior probability

Clifton "Jiggs" Chase	One of the earliest known recordings is his organ playing on the 1967 Buddy Terry recording'' Natural Soul'' (Prestige Records), alongside Woody Shaw.
Einar Aaron Swan	Around 1924, the bandleader Sam Lanin invited Swan to join his orchestra at New York's famed Roseland Ballroom, and Swan played with leading musicians such as cornettist Red Nichols, and members of The Charleston Chasers Vic Berton (drums) and Joe Tarto (tuba), with whom he soon started composing and arranging material for the orchestra.
James Blood Ulmer	After moving to New York in 1971, Ulmer played with Art Blakey's Jazz Messengers, Joe Henderson, Paul Bley, Rashied Ali and Larry Young.
Thelonious Monk	Monk is believed to be the pianist featured on recordings Jerry Newman made around 1941 at the club.
Russ Morgan	For a short time in 1934, Morgan arranged for Fletcher Henderson's Orchestra.
David S. Ware	Ware proceeded to perform concerts and record albums with a series of new group configurations : a new quartet featuring guitarist Joe Morris, William Parker, and drummer Warren Smith ; a special trio celebrating his 50th year of playing saxophone (in 2009) with Parker and Smith ; a 2-volume series of solo saxophone performances ; and finally with his last quartet, Planetary Unknown, featuring Cooper-Moore, Parker, and drummer Muhammad Ali.
Roy Eldridge	Eldridge first heard Dizzy on bandleader Lionel Hampton's 1939 recording of'' Hot Mallets,'' and later recalled :'' I heard this trumpet solo and I thought it was me.
Edmond Hall	During 1954 Hall would play with many other musucians like Vic Dickenson, Ralph Sutton, Mel Powell, Jack Teagarden and Jimmy McPartland, and produce more recordings for labels like Storyville, Decca and Columbia.
Max Miller (jazz musician)	His first recording sessions with Sidney Bechet were in 1944 and included Tony Parenti on clarinet, Zilner Randolph on trumpet, Bill Funkey on alto and tenor sax and Ken Smith on drums.
Louis Armstrong	He returned to Chicago in late 1931 and played in bands more in the Guy Lombardo vein and he recorded more standards.
Henry Johnson (guitarist)	Although Johnson's parents brought him up hearing the music of Duke Ellington, Count Basie, Joe Williams, and other artists of that era, it was not until 1967 that Johnson was formally introduced to jazz by hearing guitarist Wes Montgomery.
Sonny Parker (musician)	His time with Hampton included appearances in the film Lionel Hampton and His Orchestra (1949) and on Hampton's recordings from this time.
Sister Rosetta Tharpe	In April -- May 1964, at the height of a surge of popular interest in the blues, she toured Europe as part of the Blues and Gospel Caravan, alongside Muddy Waters and Otis Spann, Ranson Knowling and Little Willie Smith, Reverend Gary Davis, Cousin Joe, and Sonny Terry and Brownie McGhee.
Mahalia Jackson	In 1950, Jackson became the first gospel singer to perform at New York's Carnegie Hall when Joe Bostic produced the Negro Gospel and Religious Music Festival.
Dave Holland	After moving to London in 1964, Holland played acoustic bass in small venues and studied with James Edward Merrett, principal bassist of the Philharmonia Orchestra and, later, the BBC Symphony Orchestra.
Mulatu Astatke	He collaborated with many notable artists in both countries, arranging and playing on recordings by Mahmoud Ahmed, and appearing as a special guest with Duke Ellington and his band during a tour of Ethiopia in 1973.
June Christy	She also appeared on the first sponsored jazz concert on television, The Timex All-Star Jazz Show I (December 30, 1957), which also featured Louis Armstrong, Carmen McRae, Duke Ellington and Gene Krupa.
Charles Mingus	In 1964 Mingus put together one of his best-known groups, a sextet including Dannie Richmond, Jaki Byard, Eric Dolphy, trumpeter Johnny Coles, and tenor saxophonist Clifford Jordan.
Doug Watkins	In 1958 Watkins would join Donald Byrd for a European tour, taking up extended residence at Le Chat Qui Pêche, a jazz club on Paris' Left Bank.
Harry South	He also formed his own jazz big band in 1966, featuring many of the finest jazz musicians and soloists in the UK such as Hayes, Dick Morrissey, Phil Seamen, Keith Christie, Ronnie Scott and Ian Carr, and recorded an album for Mercury Records.
Tubby Hayes	While in America, Hayes recorded (Tubbs in NY) with Clark Terry, Eddie Costa, and Horace Parlan, and in 1962 he returned for another visit, this time recording Return Visit with James Moody, Roland Kirk, Walter Bishop Jr, Sam Jones, and Louis Hayes.
Art Blakey	The'' Jazz Messengers'' name was first used for this group on a 1954 recording nominally led by Silver, with Blakey, Mobley, Dorham and Doug Watkins -- the same quintet recorded The Jazz Messengers at the Cafe Bohemia the following year, still functioning as a collective.
Even Steven Levee	Beginning in 1989, Even Steven hosted jam sessions at many of NY C's best known rock clubs like Spodee O Dee's, Limelight, Danceteria, Space At Chase, Lion's Den, Boom and others.
Eli Degibri	In April 2011 Degibri joined drummer Al Foster and bassist George Mraz quartet together with pianist Fred Hersch at Birdland Jazz Club in New York for a performance dedicated to the music of the late Joe Henderson around what would have been Henderson's 74th birthday.
Don Byas	In early 1941, after a short stay with Paul Bascomb, he had his big break when Count Basie chose him to succeed the post of Lester Young in his big band.
Lonnie Liston Smith	Lonnie Liston Smith, Jr. (born December 28, 1940) is an American jazz, soul, and funk musician who played with notable jazz artists such as Pharoah Sanders and Miles Davis before forming Lonnie Liston Smith And The Cosmic Echoes, recording a number of albums widely regarded as classics in the fusion / Quiet Storm / smooth jazz and acid jazz genres.
Johnny Cymbal	By 1972, Cymbal and Clinger's writing success led Farrell to produce Cymbal and Clinger on an eponymous LP of their own material using the cream of studio musicians in the Los Angeles area, including : Hal Blaine, Tom Scott, Larry Carlton, Michael Omartian, Joe Osborn and the rest of the'' A'' team players.
Ken Moule	Moule played piano with the Johnny Dankworth Quartet, leaving to join Oscar Rabin in October 1945.
Stevie Ray Vaughan	Vaughan settled the issue in 1988 on the occasion of a Blues Festival in Europe where both he and Winter were on the bill, explaining that he has been misquoted and that'' Every musician in Texas knows Johnny and has learned something from him''.
Wild Bill Davis	Davis was originally supposed to record'' April in Paris'' with Count Basie's Orchestra in 1955 but when he could not make the session, Basie used his arrangement for the full band and had a major hit.
Louis Armstrong	His recordings soon after with pianist Earl'' Fatha'' Hines (most famously their 1928 Weatherbird duet) and Armstrong's trumpet introduction to'' West End Blues'' remain some of the most famous and influential improvisations in jazz history.
James Blood Ulmer	In spring 2011, Ulmer joined saxophone luminary James Carter's organ trio as a special guest along with Nicholas Payton on trumpet for a six-night stand of performances at Blue Note New York.
Renee Rosnes	In 1989, she also began working with tenor master James Moody and was the pianist in his quartet for the next 20 years.
Niels Lan Doky	Shortly after finishing high school in 1981, Niels Lan Doky followed the advice of Thad Jones and moved to the USA where he (after first studying at Berklee College of Music in Boston) went on to establish himself in New York performing with the elite of the American jazz scene (Joe Henderson, Gary Peacock, Jack DeJohnette, Ray Brown, Randy and Michael Brecker, David Sanborn, Al Foster, Billy Hart, John Scofield, John Abercrombie, Bill Evans, Bob Berg, Tom Harrell, Ray Drummond, Al Jarreau, Charlie Haden, Gino Vannelli, etc.) in addition to leading groups under his own name in top New York jazz clubs such as the Village Vanguard, the Blue Note and Sweet Basil.
Diz Disley	(D. Harris, Producer, G8 Studios) In the sleeve notes for I Got Rhythm (1974) Alun Morgan wrote : Guitarist Diz Disley leads the Hot Club Trio and has been prominent in British jazz circles since the end of the nineteen-forties.
Jack Duffy	In 1971 he also hosted the CBC-TV series In The Mood, featuring appearances from some of the biggest names in big band jazz, including Benny Goodman and Count Basie.
Drew Gress	His interest in composing original material for large ensembles, such as those of Johnny Richards, Billy May, and Pat Williams, led him to Baltimore's Towson State University in 1977, where he studied composition and counterpoint with Hank Levy, known for his work with Don Ellis and Stan Kenton.
Coleman Hawkins	Hawkins's playing changed significantly during Louis Armstrong's tenure with the Henderson Orchestra (1924 -- 25).
Art Blakey	During his years with Billy Eckstine's big band (1944 -- 47), Blakey became associated with the bebop movement, along with his fellow band members Miles Davis, Dexter Gordon, Fats Navarro and others.
Harry White (trombonist)	He returned to play under Russell in 1935 while Russell's band backed Louis Armstrong.
Red Allen (bluegrass)	In 1964 Allen, Wakefield and their band made a much-admired album for Folkways, entitled simply Bluegrass, produced by young David Grisman, an admirer of Allen and mandolin student of Wakefield's.
Tommy Dorsey	Dorsey also performed with singer Connee Boswell In 1942 Artie Shaw broke up his band and Dorsey hired the Shaw string section.
Freddie Roulette	Roulette later developed a friendship with Charlie Musselwhite, and recorded with him (credited as Fred Roulette) on the 1969 band album Chicago Blue Stars.
Lester Young	Lester Young played in his family's band, known as the Young Family Band, In 1933 Young settled in Kansas City, where after playing briefly in several bands, he rose to prominence with Count Basie.
Theo Bleckmann	com/dp/B0007VBO34 / A Blessing (Omnitone 2005) Moss is a vocal ensemble composed of some of New York's most diverse and interesting (jazz) singers (Theo Bleckmann, petereldridge.
Toots Thielemans	He moved to the US in 1952 where he was a member of Charlie Parker's All-Stars and worked with Miles Davis and Dinah Washington.
Jean-Luc Ponty	John Lewis of The Modern Jazz Quartet invited Ponty to perform at the Monterey Jazz Festival in 1967, which led to a U. S. recording contract with the World Pacific label and the albums Electric Connection with the Gerald Wilson Big Band and Jean-Luc Ponty Experience with the George Duke Trio.
Micha? Urbaniak	In 1985, he was invited to play during the recording of Tutu with the father of fusion, Miles Davis.
Adam Nussbaum	While there he began working with Albert Dailey, Monty Waters, Joe Lee Wilson, Sheila Jordan and he played with Sonny Rollins in 1977 in Milwaukee.
Barry Finnerty	In 1975 he became a member of the Joe Farrell quartet, and later in the decade played with Hubert Laws, Tower of Power, Thad Jones and Mel Lewis, and Ray Barretto.
Jerry Scheff	After working at the Sands night club in Los Angeles with 16 year old Billy Preston, Merry Clayton, and Don'' Sugarcane'' Harris, he played on his first hit record, The Association's'' Along Comes Mary'' (1966).
Eugene Louis Faccuito	In 1948, Luigi was hired by Horace Heidt, a popular pianist and big band leader, to choreograph for his'' Bandwagon'' tour, where he worked with talents such as Ken Berry and Dominic Frontiere.
Pierre Courbois	Courbois was one of the first musicians in Europe to experiment with free jazz : In 1961 he became the drummer and leader of the (Original Dutch) Free Jazz Quartet.
Malcolm Lockyer	One of the highlights of Lockyer's career was arranging and conducting the Bing Crosby album Holiday in Europe (1961), described as'' one of the all-time Crosby classics'' by the noted jazz critic Will Friedwald in his liner notes to the CD Bing Crosby : Legends of the 20th Century, which includes seven tracks from the album.
Tal Farlow	After six months with Artie Shaw's Gramercy Five in 1953, Farlow put together his own group, which for a time included pianist Eddie Costa.
Ran Blake	Following Jeanne Lee's departure to become one of the premier vocalists in the burgeoning avant-garde, Blake recorded the prototypical Ran Blake Plays Solo Piano (ESP) in 1965.
Ray Mantilla	He recorded with Al Cohn in 1961, and recorded with Freddie Hubbard, Buddy Rich, and Larry Coryell in the 1960s.
Benny Goodman	In early 1935, Goodman's band was one of three bands (the others were Xavier Cugat and'' Kel Murray'' -LSB- r. n. Murray Kellner -RSB-) featured on Let's Dance where they played arrangements by Henderson along with hits such as'' Get Happy'' and'' Jingle Bells'' from composer and arranger Spud Murphy.
Linda Solomon	She has written liner notes for folk music recordings, such as All Star Hootenanny (Columbia, 1964), along with liner notes for such recording artists as Charlie Byrd, John Handy, Mahalia Jackson and Charlie Rich.
Bud Powell	The first Blue Note session, in August 1949, features Fats Navarro, Sonny Rollins, Powell, Tommy Potter and Roy Haynes, and the compositions'' Bouncing with Bud'' and'' Dance of the Infidels''.
Jess Stacy	When the Crosby band broke up, Stacy rejoined Goodman in 1942 for a short period before joining the Tommy Dorsey Orchestra.
Patti Austin	Austin led a new group of Raelettes for the 2006 album Ray Charles + Count Basie Orchestra Genius ².
Buddy Moss	In October 1941, Moss, Terry and McGhee, a. o. went to New York City to cut a group of sides for Okeh Records / Columbia, including 13 numbers by Moss featuring his two new colleagues.
Frank Luther	In 1928, with his singing only gradually returning to top form, Frank met and became acquainted with fellow Kansan Carson J. Robison, who had teamed with tenor Vernon Dalhart to make many dozens of top-selling recordings of rural American favorites, shortly to be known in the trade as hillbilly music.
Baby Dodds	In 1954 he played for a Natty Dominique recording session which also featured bassman Israel Crosby and pianist Lil Hardin Armstrong.
W. S. Holland	W. S.'' Fluke'' Holland (born April 22, 1935, in Saltillo, Tennessee) is a drummer who worked extensively with numerous rock and roll musicians, beginning with Carl Perkins, but became well known as the drummer in singer Johnny Cash's succession of backing bands : The Tennessee Three, The Great Eighties Eight, and The Johnny Cash Show Band.
Joe Gallivan	In 2000, Joe Gallivan's ensemble The Rainforest Initiative (with saxophonists Evan Parker, Elton Dean, Charles Austin, and John McMinn, bassist Marcio Mattos, and Hawaii an chanters Lei'ohu Ryder and Mahalani Po'epo' e) headlined at the Bell Atlantic Jazz Festival in New York City.
Claude Williams (musician)	In 1928, he moved to Kansas City and toured with Andy Kirk's territory band Twelve Clouds of Joy, which also included Mary Lou Williams, and further honed his musicianship by participating in jam sessions.
Coleman Hawkins	In the 1950s, Hawkins performed with more traditional musicians such as Red Allen and Roy Eldridge, with whom he appeared at the 1957 Newport Jazz Festival and recorded Coleman Hawkins Encounters Ben Webster with fellow tenor saxophonist Ben Webster along with Oscar Peterson (piano), Herb Ellis (guitar), Ray Brown (bass), and Alvin Stoller (drums).
Omer Avital	Upon his arrival to New York in 1992, Avital began playing in groups with Roy Haynes, Jimmy Cobb, Nat Adderley, Walter Bishop, Jr., Al Foster, Kenny Garrett, Steve Grossman, Jimmy Lovelace, and Rashied Ali.
Illinois Jacquet	In 1940, Cole introduced Jacquet to Lionel Hampton who had returned to California and was putting together a big band.
Steve Porter (singer)	After his return, he recorded as one member of the Columbia Male Quartet, known after 1906 as the Peerless Quartet, who originally also included tenor s Henry Burr and Albert Campbell, and bass Tom Daniels.
Omer Simeon	In 1954 he played saxophone in a duet with Louis Armstrong on trumpet in Armstrong's popular dixieland recording of'' Skokiaan.''
Gus Risman	Gus Risman was one of the players who successfully toured in France with Salford in 1934, during which the Salford team earned the name'' Les Diables Rouges'', the seventeen players were ; Joe Bradbury, Bob Brown, Aubrey Casewell, Paddy Dalton, Bert Day, Cliff Evans, Jack Feetham, George Harris, Barney Hudson, Emlyn Jenkins, Alf Middleton, Sammy Miller, Harold Osbaldestin, Les Pearson, Gus Risman, Billy Watkins, and Billy Williams.
Curly Chalker	One of his most notable collaborations was S'Wonderful (Four Giants of Swing) (1976), on which he collaborated with jazz violinist Joe Venuti, guitarist Eldon Shamblin and mandolinist Jethro Burns.
Tony Joe White	In late September 1973, White was recruited by record producer Huey Meaux to sit in on the legendary Memphis sessions that became Jerry Lee Lewis's landmark Southern Roots album.
Arthur Collins (singer)	In 1909, Collins joined John H. Meyer, Henry Burr and Albert Campbell in the Peerless Quartet, an enormously successful barbershop harmony type group which toured as The Record Makers, and later as the Eight Popular Victor Artists.
Sippie Wallace	In 1966 Wallace recorded an album on Halloween night, Copenhagen, Denmark, Women Be Wise, with Roosevelt Sykes and Little Brother Montgomery sharing the piano stool.
Marshall Chess	He restored his reputation by producing the jam album Fathers & Sons with Waters, Mike Bloomfield, Otis Spann, Paul Butterfield, Duck Dunn, Sam Lay, and Buddy Miles in 1969.
George Russell (composer)	Members of the orchestra on his 1958 extended work, New York, N. Y., included Bill Evans, John Coltrane, Art Farmer, Milt Hinton, Bob Brookmeyer, and Max Roach, among others, and featured wrap-around raps by singer/lyricist Jon Hendricks.
Justin Guarini	On October 19, 2009, Guarini performed in a benefit for Education Through Music-Los Angeles along with jazz greats Patti Austin, Johnny Mathis, and Gordon Goodwin's Big Phat Band.
Ferde Grof?	Beginning about 1920, he played jazz piano with the Paul Whiteman orchestra.
Thad Jones	Jones left the Basie Orchestra in 1963 to become a freelance arranger and studio player in New York.
Luis Russell	In Chicago he played with Doc Cook and King Oliver, in addition to occasional jobs under his own name and pick up bands in recording studio s. With Oliver's band Russell moved to New York City in May 1927.
John Kameaaloha Almeida	Almeida was also instrumental in launching the careers of falsetto virtuosos Joe Keawe and Bill Ali'iloa Lincoln, known as'' Hawaii's Falsetto Poet'', as well as Hawaii steel guitar legends Billy Hew Len and David Keli ` i. On December 13, 1971, these protégés and other performers honored Almeida with a testimonial at the Coral Ballroom of the Hilton Hawaiian Village Hotel.
Otis Spann	He recorded a session with the guitarist Robert Lockwood, Jr. and vocalist St. Louis Jimmy in New York on August 23, 1960, which was issued on Otis Spann Is The Blues and Walking The Blues.
Horace Arnold	In 1959, he began performing as'' Horacee'' when he joined a big band led by Dave Baker ; he also played with Roland Kirk and Charles Mingus that year.
Thelonious Monk	After the departure of Ore and Dunlop, the remainder of the rhythm section in Monk's quartet during the bulk of his Columbia period was Larry Gales on bass and Ben Riley on drums, both of whom joined in 1964, Along with Rouse, they remained with Monk for over four years, his longest-serving band.
Billy Preston	In 2004, Preston performed as a jazz organist on Ray Charles' Genius Loves Company, an album of duets, on the song'' Here We Go Again'' with Charles and Norah Jones.
Wild Bill Davis	After leaving the Larkin orchestra, Davis worked in Chicago as a pianist, recording with Buster Bennett in 1945.
Tiger Onitsuka	In October 2008, Onitsuka released his third album, A Time In New York, recorded at Clinton Recording Studio in New York with the two top jazz musicians, bassist Buster Williams and pianist Benny Green, both of whom remarked on Onitsuka's impressive musical skills.
Eddie Heywood	In 1943, Heywood took several classic solos on a Coleman Hawkins quartet date (including'' The Man I Love'') and put together a sextet, including Doc Cheatham and Vic Dickenson.
Lionel Hampton	Hampton performed with Louis Armstrong and Italian singer Lara Saint Paul at the 1968 Sanremo Music Festival in Italy.
Branford Marsalis	Other big band experience with Lionel Hampton and Clark Terry followed over the next year, and by the end of 1981 Marsalis, on alto saxophone, had joined his brother Wynton in Blakey's Jazz Messengers.
Buddy Rich	On one album, 1955's The Lionel Hampton Art Tatum Buddy Rich Trio, Rich played with brushes almost exclusively throughout.
Willie Dennis	After working with Elliot Lawrence, Claude Thornhill, and Sam Donahue, Dennis also performed with Charles Mingus, appearing on two of Mingus's more successful albums in 1959, Blues & Roots and Mingus Ah Um.
Steve Coleman	In 2010 pianist Vijay Iyer (who was chosen as'' Jazz Musician of the Year 2010'' by the Jazz Journalists Association) said : `` To me, Steve -LSB- Coleman -RSB- is as important as -LSB- John -RSB- Coltrane.
Gordon Stretton	In 1921, in New York City he recorded with the Syncopated Jazz Band ('' Satanic Blues'' /'' Lucky Dog Blues'' Actuelle 10156 E).
Earl Hines	Duke Ellington was later to say that,'' the seeds of bop were in Earl Hines's piano style'' while Charlie Parker's biographer Ross Russell wrote :... The Earl Hines Orchestra of 1942 had been infiltrated by the jazz revolutionaries.
Fred Wesley	Wesley became a force in jazz in 1978 when he joined the Count Basie Orchestra.