| NIME 2009 Paper/Poster/Demo Sessions Preliminary Schedule | |||
| Paper ID | Session 1: Evaluation and Modeling | Thu, 9am - 11am | |
| Welcome to NIME 2009 | Noel Zahler | ||
| 168 | From Real to Virtual: A Comparison of Input Devices for Percussion Tasks | Mike Collicutt, Carmine Casciato and Marcelo Wanderley | long |
| 106 | Probabilistic Model of Pianists' Arm Touch Movement | Aristotelis Hadjakos, Erwin Aitenbichler and Max MŸhlhŠuser | long |
| 113 | Knobs or Sliders... Who cares? | Steven Gelineck | long |
| 170 | Evaluation of 3D Haptic Target Rendering to Support Timing in Music Tasks | Ricardo Pedrosa and Karon Maclean | long |
| 128 | Evaluating Interactive Music Systems: An HCI Approach | William Hsu and Marc Sosnick | short |
| Session 2: Posters and Demos | Thu, 12:15 - 1:45, 3:45 - 4:30 | ||
| 58 | The Ghetto Bastard: A Portable Noise Instrument | Neal Spowage | demo |
| 186 | The Navi Activity Monitor: On Using Kinematic Data to Humanize Computer Music | Eric Humphrey and Colby Leider | demo |
| 60 | Utilizing Tactile Feedback to Guide Movements Between Sounds | Alexander MŸller and Georg Essl | demo |
| 78 | An Interface for Live Interactive Sonification | Samuel Ferguson and Kirsty Beilharz | demo |
| 100 | Responsive Music Interfaces for Performance | Alexander Reben, Mat Laibowitz and Joseph Paradiso | demo |
| 110 | Hands On Stage: A Sound and Image Performance Interface | Chi-Hsia Lai | demo |
| 161 | The Vibrobyte: A Haptic Interface for Co-Located Performance | Kyle McDonald, Dane Kouttron, Curtis Bahn, Jonas Braasch and Pauline Oliveros | demo |
| 200 | Mult-Laser Gestural Musical Interfaces: Solutions for Cost-Effective and Open Source Controllers | James Wiley and Ajay Kapur | demo |
| 197 | Mims: Interactive Multimedia Live Performance System | Ryo Kanda, Mitsuyo Hashida and Haruhiro Katayose | demo |
| 16 | netBody - “Augmented Body and Virtual Body II” with the system, BodySuit, Powered Suit and Second Life - Its Introduction and The Case Study of An Application of The System | Suguru Goto and Rob Powell | demo |
| 21 | Life Game Orchestra as an Interactive Music Composition System Translating Cellular Patterns of Automata into Musical Scales | Keisuke Ogawa and Yasuo Kuhara | demo |
| 35 | Natural Materials on Stage: Custom Controllers for Aesthetic Effect | John Toenjes | demo |
| 9 | Controlling Live Generative Electronic Music with Deviate | Sarah Keith | poster |
| 40 | SpiralSet: A Sound Toy Utilizing Game Engine Technologies | Andrew Dolphin | poster |
| 202 | LUMI: Live Performance Paradigms Utilizing Software Integrated Touch Screen and Pressure Sensitive Button Matrix | Mike Gao and Craig Hanson | poster |
| 138 | The SEC: A Pattern Recognition Toolbox for Musician-Computer Interaction | Nicholas Gillian, R. Benjamin Knapp and Sile O'Modhrain | poster |
| 67 | A 2D Fiducial Tracking Method Based on Topological Region Adjacency and Angle Information | Hiroki NISHINO | poster |
| Session 3: Robotics and New Interfaces | Thu, 1:45pm - 3:45pm | ||
| 105 | Anthropomorphic Musical Performance Robots at Waseda University: Towards Understanding the Nature of Human Musical Interaction | Jorge Solis, Takeshi Ninomiya, Klaus Petersen, Maasaki Takeuchi and Atsuo Takanishi | long |
| 184 | The Creation of a Multi-Human, Multi-Robot Interactive Jam Session | Gil Weinberg, Brian Blosser, Trishul Mallikarjuna and Aparna Raman | short |
| 95 | MusicGrip: A Writing Instrument for Music Control | Nan-Wei Gong, Mat Laibowitz and Joseph Paradiso | short+ |
| 82 | Let loose with WallBalls, a collaborative tabletop instrument for tomorrow | Grant Partridge, Pourang Irani and Gordon Fitzell | short |
| 180 | SORISU: Sound with Numbers | Hye Ki Min | short+ |
| 75 | The Tactus: a Tangible, Rhythmic Grid Interface Using Found-Objects | Yotam Mann, Jeff Lubow and Adrian Freed | short |
| 90 | Real-time Phase Vocoder Manipulation by Runner's Pace | Jason Hockman, Marcelo Wanderley and Ichiro Fujinaga | short+ |
| Session 4: Electroacoustics | Thu, 4:30pm - 6pm | ||
| 73 | A discussion of multidimensional mapping in the Nymophone2 | Kristian Nymoen and Alexander Refsum Jensenius | short |
| 206 | The Kalichord: A Physically Modeled Electro-Acoustic Plucked String Instrument | Daniel Schlessinger and Julius O. Smith III | short |
| 46 | Augmenting chordophones with percussive sound possibilities | Otso lahdeoja | short |
| 169 | An electroacoustically controlled vibrating plate | Mark Kahrs, David Skulina, Stefan Bilbao and Murray Campbell | short |
| 111 | Don’t Forget the Loudspeaker A History of Hemispherical Speakers at Princeton, Plus a DIY Guide | Scott Smallwood, Perry Cook and Dan Trueman | long |
| Session 5: Computer Systems | Fri, 9am - 11am | ||
| 97 | Features and Future of Open Sound Control version 1.1 for NIME | Adrian Freed and Andrew Schmeder | long |
| 98 | A Low-level Embedded Service Architecture for Rapid DIY Design of Real-time Musical Instruments | Andrew Schmeder and Adrian Freed | short |
| 182 | Firmata: Towards making the microcontroller act like an extension of the computer | Hans-Christoph Steiner | long |
| 79 | Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork | Marije A.J. Baalman, Harry C. Smoak and Christopher L. Salter | short |
| 159 | Challenges and Performance of High-Fidelity Audio Streaming for Interactive Performances | Nicolas Bouillot and Jeremy R. Cooperstock | long |
| 207 | "Extension du Corps Sonore" - Dancing Viola | Todor Todoroff, Frederic Bettens, Loic Reboursiere and Wen-Yang Chu | long |
| Session 6: Posters and Demos | Fri, 12:15 - 1:45, 3:45 - 4:30 | ||
| 90 | Real-time Phase Vocoder Manipulation by Runner's Pace | Jason Hockman, Marcelo Wanderley and Ichiro Fujinaga | +demo |
| 95 | MusicGrip: A Writing Instrument for Music Control | Nan-Wei Gong, Mat Laibowitz and Joseph Paradiso | +demo |
| 180 | SORISU: Sound with Numbers | Hye Ki Min | +demo |
| 115 | The elBo and footpad: Toward Personalized Hardware for Audio Manipulation | Colby Leider, Douglas Mann, Daniel Plazas, Mike Battaglia and Reid Draper | demo |
| 125 | THE MIDI-AIRGUITAR, A SERIOUS MUSICAL CONTROLLER WITH A FUNNY NAME | Langdon Crawford and Wiliam Fastenow | demo |
| 129 | An early prototype of the PsychoPhone – an augmented saxophone | Niels Bšttcher and Smilen Dimitrov | demo |
| 141 | Catch Your Breath | Diana Siwiak, Jonathan Berger and Yao Yang | demo |
| 155 | A Wii-based gestural interface for computer conducting systems | Lijuan Peng and David Gerhard | demo |
| 18 | Chess-based Composition and Improvisation for Non-musicians | Dale Parson | demo |
| 42 | MagNular: Symbolic Control of an External Sound Engine Using an Animated Interface | Andrew Dolphin | demo |
| 48 | AUDIO ORIENTEERING – Navigating an Invisible Terrain | Noah Feehan | demo |
| 56 | Developing the Cyclotactor | Staas De Jong | demo |
| 29 | MIDI to OSC converter | SŽbastien Schiesser | poster |
| 50 | Parallel Processing System Design with "Propeller" Processor | Yoichi Nagashima | poster |
| 112 | Where Did It All Go Wrong? A Model of Error From the Spectator’s Perspective | A. Cavan Fyans, Michael Gurevich and Paul Stapleton | poster |
| 157 | Advanced Techniques for Vertical Tablet Playing: A Overview of Two Years of Practicing the HandSketch 1.x | Nicolas d'Alessandro and Thierry Dutoit | poster |
| 108 | Gyroscope-Based Conducting Gesture Recognition | Andreas Hšfer, Aristotelis Hadjakos and Max MŸhlhŠuser | poster |
| Session 7: Haptics and Extended Instruments | Fri, 1:45pm - 3:45pm | ||
| 158 | Using Haptics to Assist a Musician in Making Gestures | Edgar Berdahl, Guenter Niemeyer and Julius Smith III | long+ |
| 131 | Using Haptic Devices to Interface Directly with Digital Waveguide-Based Musical Instruments | Edgar Berdahl, Guenter Niemeyer and Julius Smith III | short |
| 171 | Haptic Carillon – Analysis & Implementation | Mark Havryliv, Fazel Naghdy, Greg Schiemer and Timothy Hurd | long |
| 101 | The Electrumpet, a hybrid electro-acoustic instrument | Hans Leeuw | long+ |
| 38 | Sensor Technology and The Remaking of Instruments from the Past | Emmanuelle GALLIN and Marc SIRGUY | short |
| 52 | Twenty-first Century Piano | Sarah Nicolls | short |
| Session 8: Design and Graphics | Fri, 4:30pm - 6pm | ||
| 77 | Designing for Conversational Interaction | Andrew Johnston | long |
| 147 | Designing for Style in New Musical Interactions | Michael Gurevich, Paul Stapleton and Peter Bennett | short |
| 156 | SqueezeVox Maggie: Re-Designing Principles for Computer Music Controllers | Perry Cook | short+ |
| 88 | Interfacing graphic and musical elements in Counterlines. - short paper | Jaroslaw Kapuscinski and Javier Sanchez | short |
| 45 | FrameWorks 3D: Composition in the third dimension | Richard Polfreman | short |
| Session 9: Sensing and Conducting | Sat, 9am - 11am | ||
| 92 | Novel and Forgotten Current-steering Techniques for Resistive Multitouch, Duotouch, and Polytouch Position Sensing with Pressure | Adrian Freed | long |
| 166 | A Force-Sensitive Surface for Intimate Control | Randy Jones, Peter Driessen, Andrew Schloss and George Tzanetakis | long+ |
| 160 | A Flexible Mapping Editor for Multi-touch Musical Instruments | Greg Kellum and Alain Crevoisier | short+ |
| 81 | Phalanger: Controlling Music Software With Hand Movement Using A Computer Vision and Machine Learning Approach | Chris Kiefer, Nick Collins and Geraldine Fitzpatrick | short |
| 165 | The UBS Virtual Maestro: an Interactive Conducting System | Teresa Nakra, Yuri Ivanov, Paris Smaragdis and Chris Ault | long |
| 44 | The Vocal Augmentation and Manipulation Prosthesis (VAMP): A Conducting-Based Gestural Controller for Vocal Performance | Elena Jessop | short+ |
| Session 10: Control Strategies and Installations | Sat, 1:45pm - 3:45pm | ||
| 91 | Words, Movement and Timbre | Alex McLean and Geraint Wiggins | long |
| 76 | A Meta-Instrument for Interactive, On-the-fly Machine Learning | Rebecca Fiebrink, Dan Trueman and Perry R. Cook | long |
| 139 | Action and Perception in Interactive Sound Installations: An Ecological Approach | Jan Schacher | short |
| 208 | The Argus Project: Underwater Soundscape Composition with Laser-Controlled Modulation | Jonathon Kirk and Lee Weisert | short |
| 173 | PlaySoundGround: An Interactive Musical Playground | Michael St. Clair and Sasha Leitman | short |
| 140 | The Fragmented Orchestra | Daniel Jones, Tim Hodgson, Jane Grant, John Matthias, Nicholas Outram and Nick Ryan | long |
| Session 11: Posters and Demos | Sat, 12:15 - 1:45, 3:45 - 4:30 | ||
| 44 | The Vocal Augmentation and Manipulation Prosthesis (VAMP): A Conducting-Based Gestural Controller for Vocal Performance | Elena Jessop | +demo |
| 137 | Designing Smule's iPhone Ocarina | Ge Wang | +demo |
| 72 | The Drummer: a Collaborative Musical Interface with Mobility | Andrea Bianchi and Woon Seung Yeo | +demo |
| 101 | The Electrumpet, a hybrid electro-acoustic instrument | Hans Leeuw | +demo |
| 104 | Double Slide Controller | J Tomas Henriques | demo |
| 158 | Using Haptics to Assist a Musician in Making Gestures | Edgar Berdahl, Guenter Niemeyer and Julius Smith III | +demo |
| 135 | Scratch-Off: A gesture based mobile music game with tactile feedback | Nicholas Gillian, Sile O'Modhrain and Georg Essl | +demo |
| 147 | Designing for Style in New Musical Interactions | Michael Gurevich, Paul Stapleton and Peter Bennett | +demo |
| 156 | SqueezeVox Maggie: Re-Designing Principles for Computer Music Controllers | Perry Cook | +demo |
| 160 | A Flexible Mapping Editor for Multi-touch Musical Instruments | Greg Kellum and Alain Crevoisier | +demo |
| 166 | A Force-Sensitive Surface for Intimate Control | Randy Jones, Peter Driessen, Andrew Schloss and George Tzanetakis | +demo |
| 36 | HSP: A Simple and Effective Open-Source Platform for Implementing Haptic Musical Instruments | Edgar Berdahl, GŸnter Niemeyer and Julius Smith III | demo |
| 43 | VERSUM: AUDIOVISUAL COMPOSING IN 3D | Tarik Barri | poster |
| 86 | Towards a humane graphical user interface for live electronic music | Jamie Bullock and Lamberto Coccioli | poster |
| 66 | YARMI, an Augmented Reality Musical Instrument. | Tom‡s Laurenzo, Ernesto Rodr’guez and Juan Fabrizio Castro | poster |
| 83 | SpeedDial: Rapid and On-The-Fly Mapping of Mobile Phone Instruments | Georg Essl | poster |
| 102 | ForTouch: a Wearable Digital Ventriloquized Actor | Sidney Fels, Robert Pritchard and Allison Lenters | poster |
| Session 12: Mobile Music | Sat, 4:30pm - 6pm | ||
| 137 | Designing Smule's iPhone Ocarina | Ge Wang | long+ |
| 135 | Scratch-Off: A gesture based mobile music game with tactile feedback | Nicholas Gillian, Sile O'Modhrain and Georg Essl | short+ |
| 164 | ZooZBeat: a Gesture-based Mobile Music Studio | Gil Weinberg, Andrew Beck and Mark Godfrey | short |
| 72 | The Drummer: a Collaborative Musical Interface with Mobility | Andrea Bianchi and Woon Seung Yeo | short+ |
| "long+" or "short+" means there is a corresponding demo, and "+demo" means there is a corresponding short or long paper | |||