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Mar 3
- Filters
- Impulse Response
- Convolution
- Time domain and spectral domain views
- Filters in Nyquist
- Delay
- Comb filters
- Reverberation
- Listening
- Chreode I (1983), Jean-Baptiste Barrier, 9'26"

Mar 5
- 3D Sound
- HRTF
- Room Models
- Doppler Shift
- Multi-speaker playback
Project 8
due Mar 18, 10PM
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Make a composition (about 1 minute)
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Run a
voice through a bank of highly resonant filters or through some
very resonant comb filters. With enough resonance, these filters will
"ring," creating audible pitches that are activated by the input sound.
Changing filter frequencies can create melodies or chord changes. |
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Use
the amplitude of a voice recording (e.g. see Nyquist functions for peak
detection or RMS energy estimation) to control a time varying filter.
Changing loudness will then open or close the filter or change the
resonant frequency. |
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Randomly
change filter frequencies to generate rhythmic (or not) timbral changes. |
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Details: All of
the comments for Project 5 apply and
may help you to plan your work.
You do not have to work exclusively with Nyquist. You may use other
programs including audio editors (Audacity or other) to manipulate,
organize, and mix sounds. You must, however,
feature processing of sounds using Nyquist, and you must submit the
Nyquist code that you use for this piece. You will use voice sounds
that you record as a source that you manipulate and process with
Nyquist. You must also submit a short narrative description of your
piece: what are you trying to achieve, how did you process sound, and
what other software (if any) did you use? |
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Grading: In
grading the assignments, we will be looking for successful applications
of filters to voice to create interesting and musical effects. Most of
your effort should be on the effect with the idea that an interesting
text will maintain interest for at least a minute. (Therefore you do
not have to work out as many compositional details as perhaps in
earlier assignments.) In general, a composition that shows evidence of
effort will do well. If you make a simple effect and keep everything
constant while you run 1 minute of text through it, you will not do as
well. Your Nyquist code should be clean
and easy to read. Comment your code. If you do not use Nyquist for the
final product, you should indicate what the code actually generates and
how it was used in the piece.
Please
check to make sure that your files are submitted and that they are the
right sizes. The deductions for missing parts are listed below. If you
are unsure about how to submit your homework, please contact one of the
TAs.
Missing
sound file = 70%
Missing lisp file = 20%
Missing text description = 10%
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Submitting your homework:
You need to submit three things to your proj-08 folder:
-Your text description, named project08.txt
-Your code, named project08.sal
-Your resulting wav file, named project08.wav
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