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David Touretzky

Gallery creator and curator David Touretkzy believes that given the conflicting court rulings the issue of computer code as speech will make it to the Supreme Court.

Photo courtesy of the Pittsburgh Tribune-Review.

 

 

 

Gallery of CSS Descramblers: Demonstrating How Computer Code Is Speech

The question of whether computer code can be defined as speech is at the heart of a debate brewing in U.S. Courts, as well as in academic and research institutions. A computer scientist at Carnegie Mellon is helping to make U.S. legal history by presenting a compelling argument to the courts and to the public at large.

The backdrop for this legal drama began in January, 2000, when the Motion Picture Association of America (MPAA) filed a lawsuit against the hacker magazine 2600, charging that the online publication had violated the Digital Millennium Copyright Act (DMCA) by posting code for decrypting DVDs. The now famous case, Universal City Studios, Inc., et al. v. Shawn C. Reimerdes, et al., was predicted to have far reaching consequences for computer science.

Carnegie Mellon Principal Research Computer Scientist David Touretzky testified as an expert witness for the defense. At the trial, Touretzky argued that computer code has expressive content that conveys ideas just like other forms of speech.

Touretzky says he became interested in the case when he perceived that the outcome could have "a chilling effect on [his] ability as a computer scientist to express [him]self."

"If the court upholds this injunction [that barred Web sites from posting the code for the cracking program], what would happen is that certain uses of computer language -- my preferred means of expression -- would be illegal." ("Free Speech Rights for Computer Code?" New York Times 31 July 2000).

The Carnegie Mellon computer science faculty member is now presenting his argument to the public on the World Wide Web with his "Gallery of CSS Descramblers," a scholarly publication that demonstrates there is no difference between ideas expressed in a computer language or in the English language. Touretzky created the site to raise important questions about legal opinions on whether or not source code is subject to First Amendment protection against prior restraint of speech.

"If code that can be directly compiled and executed may be suppressed under the DMCA, as Judge Kaplan asserts in his preliminary ruling, but a textual description of the same algorithm may not be suppressed, then where exactly should the line be drawn?" asks Touretzky. "This web site was created to explore this issue, and point out the absurdity of Judge Kaplan's position that source code can be legally differentiated from other forms of written expression."

Touretzky presents his argument in a series of exhibits. He converts the source file in the C computer language into various other forms, such as a programming language of his own devising, a set of GIF images, and even a line-by-line translation into plain English. He then points out that the English translation of the source code cannot be read directly by a machine and therefore cannot decrypt a DVD. But any knowledgeable C programmer could translate the English description back into C. This raises the question of which source code descriptions are protected speech, and which should be subject to the DMCA.

Since the trial, people have begun submitting their own exhibits to the Gallery that challenge legal interpretations of what computer code can be suppressed under the DMCA. Some of the exhibits are very clever and fun. The descrambling algorithm has been translated into musical lyrics, haiku, and even printed on a T-shirt. One anonymous contribution employs the animated Microsoft Agents Merlin the Wizard and Robby the Robot to explain a mathematical description of the decryption algorithm formulated by another contributor, Charles M. Hannum.

Touretzky's compelling position, and his boldness in publishing the outlawed code, has helped the Gallery become a prime destination on the Web for those seeking information about DVD decryption. There you can find not only Touretzky's position on the issue, but also information regarding legal rulings, background on the digital copyright controversy, and extensive media coverage of the Gallery.

With the plethora of information on the Web site, it's no wonder that the media has shown so much interest in the Gallery and its curator. The Gallery has been cited in dozens of news articles in both national and international publications, including the New York Times, the Wall Street Journal, USA Today, and Le Monde.

However, not all the attention given to the site has been positive. A representative of the MPAA contacted Touretzky and Carnegie Mellon, asking that the Web site be taken down, which Touretzky views as an attack on academic freedom. Carnegie Mellon has not complied with the MPAA's request.

Visit the Gallery of CSS Descramblers on the Web at: http://www.scs.cmu.edu/~dst/DeCSS/Gallery/index.html

For more about David Touretzky, see his home page at: http://www.scs.cmu.edu/~dst/.