From regy522@csc.canterbury.ac.nz Wed Jun 1 14:41:50 EDT 1994 Article: 8403 of alt.video.laserdisc Xref: economic.mess.cs.cmu.edu alt.video.laserdisc:8403 Path: cantaloupe.srv.cs.cmu.edu!nntp.club.cc.cmu.edu!godot.cc.duq.edu!news.duke.edu!news-feed-1.peachnet.edu!gatech!howland.reston.ans.net!wupost!waikato!comp.vuw.ac.nz!canterbury.ac.nz!regyva!regy522 From: regy522@csc.canterbury.ac.nz Newsgroups: alt.video.laserdisc Subject: TECHNISCOPE: Never mind the quality... Date: 1 Jun 94 16:28:43 +1200 Organization: University of Canterbury, Christchurch, New Zealand Lines: 41 Message-ID: <1994Jun1.162843.1@csc.canterbury.ac.nz> NNTP-Posting-Host: regyva.canterbury.ac.nz Greetings from Christchurch, New Zealand! Techniscope was a 35mm 2 perforation pull-down system; the regular pull-down for standard 35mm filming, whether flat or anamorphic, is 4 perforations. Thus Techniscope, patented by Paramount, used half as much negative as normal and was therefore very popular among producers on a budget such as spaghetti westerners, or those running off miles of film for recording such events as the Olympic Games, where there was a high wastage factor. Because filming used regular spherical lenses, which were (then) far faster and lighter than anamorphic lenses, it was also of use where light levels were low e.g. jungle movies or where the camera was very mobile e.g. ski movies. The negative produced had an actual aspect ratio of about 2.35:1 and the image was not squeezed - this came later when stretch printing in the laboratory produced conventional release prints, with an image that was 4 perforations high, to be projected through an anamorphic lens to arrive at a screen shape of about the same aspect ratio as Panavision. Naturally, because the original negative area exposed was only half that of Panavision the final image was a little soft and for that reason filters were rarely used. One example of a movie that used Techniscope is AMERICAN GRAFFITI which explains why it was first released letterboxed on television as there was insufficient image quality to survive being panned and scanned and then transmitted. It was probably for this reason that the use of Techniscope stopped after about 1964. The system was refined in the early 80s as Super35 which manages to expose a larger negative size by including the soundtrack area. Regards Richard P S My grandfather told me all this! CA